Body Hopping: A Thought Experiment

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
A. Martin
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引用次数: 0

Abstract

abstract:This article is a speculative investigation into the depiction of "body hopping"—an entity inhabiting a string of different bodies—in popular cinema since the 1980s. This trope features in genres ranging from horror and sci-fi to teen films and romantic comedies. Although often a narrative premise of dubious logic, body hopping offers us a way, as spectators, to enter into an imaginatively projected fantasy of the human body and its powers. I contrast this "neurotic" but creative logic of conceptualizing the body with the more recent philosophical school of "embodiment." My case study is the career of actor Claudia Christian, who moved from 1980s genres to general recognition on the TV series Babylon 5 in the 1990s—but always retaining her persona of an "ideal" woman who is also "off-norm" in appearance and behavior. Christian's published autobiography and her role in the body-hopper special The Hidden (1987) are discussed.
身体跳跃:一个思想实验
摘要:本文是对20世纪80年代以来流行电影中“身体跳跃”(body hopping)——一个实体居住在一系列不同的身体中——的描述的一种思辨性研究。从恐怖、科幻到青少年电影和浪漫喜剧,各种类型的电影都有这种比喻。虽然跳身通常是一个逻辑可疑的叙事前提,但作为观众,跳身为我们提供了一种方式,让我们进入对人体及其力量的想象性幻想。我将这种将身体概念化的“神经质”但创造性的逻辑与最近的“化身”哲学流派进行了对比。我的案例研究是演员克劳迪娅·克里斯蒂安(Claudia Christian)的职业生涯,她在20世纪90年代的电视连续剧《巴比伦5》(Babylon 5)中从20世纪80年代的角色转变为大众认可的角色,但她始终保持着“理想”女性的形象,在外表和行为上也“偏离常规”。讨论了克里斯蒂安出版的自传和她在身体跳跃特别节目《隐藏》(1987)中的角色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Asia-Pacific Pop Culture
Journal of Asia-Pacific Pop Culture HUMANITIES, MULTIDISCIPLINARY-
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