Banking on BANJO: business, bias, and belonging in rural social imaginaries

IF 1.2 Q3 SOCIOLOGY
Rachael Wallis
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引用次数: 2

Abstract

ABSTRACT Social imaginaries, like those in the work of A. B. “Banjo” Paterson and Henry Lawson, reinforced by contemporary ideas of a bucolic rural idyll, reflect images of Australia shared in contemporary media. These images are often used in marketing rural places. This research examines the social imaginaries used to create marketing for a wide-ranging area around Stanthorpe, Queensland. These marketing ideas promote stereotypes of Australia’s rural areas as rugged, adventurous places filled with “authentic” people and experiences. Promotion of these autochthonous social imaginaries, however, brings with it challenges, including the exclusion of those who don’t fit normative ideas of a predominantly white, male, heterosexual society. This research uses proximity ethics to challenge the notion of using the past to sell the present and contributes to ideas about current rural discourse. Findings may be used to raise awareness within rural Australia about the exclusionary nature of these social imaginaries.
倚重五弦琴:乡村社会想象中的商业、偏见和归属感
像a·b·“班卓”·帕特森和亨利·劳森作品中的社会想象,通过对田园田园牧歌的当代观念的强化,反映了当代媒体分享的澳大利亚形象。这些图像经常用于农村地区的营销。这项研究考察了在昆士兰州斯坦索普附近的一个大范围地区用于创造营销的社会想象。这些营销理念促进了对澳大利亚农村地区的刻板印象,即崎岖不平、充满冒险精神的地方,充满了“真实”的人和经历。然而,推广这些固有的社会想象也带来了挑战,包括排斥那些不符合以白人、男性、异性恋为主的社会规范观念的人。本研究使用接近伦理来挑战利用过去来出售现在的概念,并有助于对当前农村话语的想法。研究结果可以用来提高澳大利亚农村对这些社会想象的排他性的认识。
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来源期刊
Rural Society
Rural Society SOCIOLOGY-
CiteScore
1.70
自引率
0.00%
发文量
12
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