Lyric Self-Fashioning: Sonnet 35 as Formal Model

IF 0.1 3区文学 0 LITERARY THEORY & CRITICISM

PHILOSOPHY AND LITERATURE Pub Date : 2021-06-29 DOI:10.1353/phl.2021.0015

J. Landy

引用次数: 1

Abstract

Abstract:Each of us is not just a set of actions, experiences, and plans but also a set of traits, capacities, and attitudes; we are as much our character as our life. And while story form can help unify a messy life, when it comes to a messy character, we may need something like the form of a poem. Could we model our self-conception, then, on a work like Shakespeare's Sonnet 35? In finding deep-going unity—and even bittersweet beauty—beneath surface-level ambivalence, Sonnet 35 arguably offers a perfect formal model, pointing the way to a transfiguration, through art, of intractable internal conflict.

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抒情的自我塑造:十四行诗第35首作为正式模式

摘要:我们每个人不仅拥有一系列行动、经历和计划，还拥有一系列特质、能力和态度;我们的性格和我们的生活一样重要。虽然故事的形式可以帮助统一混乱的生活，但当涉及到一个混乱的角色时，我们可能需要一些像诗一样的形式。那么，我们能否以莎士比亚十四行诗第35首这样的作品作为自我概念的模型呢?十四行诗第35首在表面的矛盾之下找到了深层次的统一，甚至是苦乐参半的美，可以说提供了一个完美的形式模型，指出了通过艺术来改变棘手的内部冲突的方式。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

PHILOSOPHY AND LITERATURE Multiple-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： For more than a quarter century, Philosophy and Literature has explored the dialogue between literary and philosophical studies. The journal offers a constant source of fresh, stimulating ideas in the aesthetics of literature, theory of criticism, philosophical interpretation of literature, and literary treatment of philosophy. Philosophy and Literature challenges the cant and pretensions of academic priesthoods by publishing an assortment of lively, wide-ranging essays, notes, and reviews that are written in clear, jargon-free prose. In his regular column, editor Denis Dutton targets the fashions and inanities of contemporary intellectual life.