{"title":"Looking beyond interaction: exploring meaning making through the windows of an art gallery.","authors":"Laura Harris","doi":"10.1057/s41290-021-00146-x","DOIUrl":null,"url":null,"abstract":"<p><p>How is meaning produced in and around the art gallery? Sociological answers to this question are limited by a narrow focus on inter-gallery group interaction and cognitive interpretation. I argue that such approaches would be strengthened by accounting for the diverting effects of gallery context and atmosphere, both in and beyond the gallery. Art gallery windows offer a lens through which to explore how issues of context and atmosphere are negotiated in and around an art gallery in everyday life. I trial this approach using data from a fourteen-month case study of Bluecoat, a city center art gallery in Liverpool, UK, which has a series of windows that mediate between the gallery and the neighboring shopping street. The windows partition zones of meaning; frame vision; contribute to the symbolic meanings of a gallery's exterior architecture; and modulate its interior atmosphere. The analysis models a meaning-centered sociology of the art gallery that moves beyond interpretation and towards a broader understanding of the currents of meaning in and around the art gallery.</p>","PeriodicalId":45140,"journal":{"name":"American Journal of Cultural Sociology","volume":"10 2","pages":"316-336"},"PeriodicalIF":0.9000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8626277/pdf/","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"American Journal of Cultural Sociology","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1057/s41290-021-00146-x","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"2021/11/27 0:00:00","PubModel":"Epub","JCR":"Q3","JCRName":"SOCIOLOGY","Score":null,"Total":0}
引用次数: 1
Abstract
How is meaning produced in and around the art gallery? Sociological answers to this question are limited by a narrow focus on inter-gallery group interaction and cognitive interpretation. I argue that such approaches would be strengthened by accounting for the diverting effects of gallery context and atmosphere, both in and beyond the gallery. Art gallery windows offer a lens through which to explore how issues of context and atmosphere are negotiated in and around an art gallery in everyday life. I trial this approach using data from a fourteen-month case study of Bluecoat, a city center art gallery in Liverpool, UK, which has a series of windows that mediate between the gallery and the neighboring shopping street. The windows partition zones of meaning; frame vision; contribute to the symbolic meanings of a gallery's exterior architecture; and modulate its interior atmosphere. The analysis models a meaning-centered sociology of the art gallery that moves beyond interpretation and towards a broader understanding of the currents of meaning in and around the art gallery.
期刊介绍：
From modernity''s onset, social theorists have been announcing the death of meaning, at the hands of market forces, impersonal power, scientific expertise, and the pervasive forces of rationalization and industrialization. Yet, cultural structures and processes have proved surprisingly resilient. Relatively autonomous patterns of meaning - sweeping narratives and dividing codes, redolent if elusive symbols, fervent demands for purity and cringing fears of pollution - continue to exert extraordinary effects on action and institutions. They affect structures of inequality, racism and marginality, gender and sexuality, crime and punishment, social movements, market success and citizen incorporation. New and old new media project continuous symbolic reconstructions of private and public life. As contemporary sociology registered the continuing robustness of cultural power, the new discipline of cultural sociology was born. How should these complex cultural processes be conceptualized? What are the best empirical ways to study social meaning? Even as debates rage around these field-specific theoretical and methodological questions, a broadly cultural sensibility has spread into every arena of sociological study, illuminating how struggles over meaning affect the most disparate processes of contemporary social life.Bringing together the best of these studies and debates, the American Journal of Cultural Sociology (AJCS) publicly crystallizes the cultural turn in contemporary sociology. By providing a common forum for the many voices engaged in meaning-centered social inquiry, the AJCS will facilitate communication, sharpen contrasts, sustain clarity, and allow for periodic condensation and synthesis of different perspectives. The journal aims to provide a single space where cultural sociologists can follow the latest developments and debates within the field. The American Journal of Cultural Sociology is indexed by SCOPUS, a database listing journals and country scientific indicators and rankings, and is also indexed in Thomson Reuters’ Web of Science Core Collection, in the Social Sciences Citation Index (SSCI). SSCI provides searchable author abstracts for the leading journals in 55 social science disciplines, with a comprehensive backfile of cited reference data from 1900 to the present. AJCS’s inclusion in the SSCI provides greater discoverability for the journal and allows for real-time insight into the citation performance.We welcome high quality submissions of any length and focus: contemporary and historical studies, macro and micro, institutional and symbolic, ethnographic and statistical, philosophical and methodological. Contemporary cultural sociology has developed from European and American roots, and today is an international field. The AJCS will publish rigorous, meaning-centered sociology whatever its origins and focus, and will distribute it around the world.
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