Moroccan City Festivals, Cultural Diplomacy and Urban Political Agency.

Abstract

Over the last two decades, cultural festivals have been established and consolidated in cities across Morocco. Their proliferation has coincided with the reign of Mohammed VI, well known as an enthusiastic and extremely wealthy patron of the arts, and the concomitant state-controlled democratization of Moroccan politics and society. Drawing on two examples-the Marrakech International Film Festival and the Mawazine music festival in Rabat-this article interrogates the ways in which festivals and the urban scale combine to function as vehicles for cultural diplomacy. Contra the common tendency in recent policy debates that perceive the city (with or without its administration) as an active agent in translocal cultural relations, I argue for a more nuanced perspective that understands the urban festival as a diplomatic platform through which the cultural politics of the state are rescaled and where a range of actors contest ideas about the local, national and global trajectories of society and cultural life.