A Consideration of Four Illustrations of Surgical Operation Referred to in Nyugan Chiken Roku.

Akitomo Matsuki
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Abstract

Four illustrations of a breast cancer operation of Kan Aiya in 1804 are referred to as Figures 2 to 5 in the manuscript Nyugan Chiken Roku. One of Hanaoka's disciples depicted them, standing at the patient's feet, in order not to block the sunlight. Thus, the drawings may have been illustrated as viewed from the front. Because the manuscript lacks the original illustrations, Kure transcribed them from other unidenti- fied manuscripts to reproduce them in his monograph Seishu Hanaoka and His Surgery, but they were illustrations viewed from the side, suggesting that they were different from the original figures. A manuscript in the Kyou Library titled Nyuganzu is considered to convey the original style because its illustrations are presented from a front view. Sixteen sheets of drawing, which are in the possession of the Flower Hill Museum, are considered rough sketches for the original illustrations because they are of Hanaoka's family provenance. Careful examination of these manuscripts and the rough sketches leads to further elucidation of the mysteries of Nyugan Chiken Roku.

对《Nyugan Chiken Roku》中提到的四例外科手术的思考。
在手稿《Nyugan Chiken Roku》中,有四幅1804年Kan Aiya乳腺癌手术的插图,参见图2至图5。花冈的一个弟子描绘了他们站在病人的脚边,为了不遮挡阳光。因此,图纸可能是从正面看的。由于手稿缺少原始的插图,Kure从其他未识别的手稿中抄录了这些插图,并将其复制到他的专著《Seishu Hanaoka和他的外科》中,但它们是从侧面看的插图,这表明它们与原始的人物不同。在国立图书馆收藏的一份名为《牛杖》的手稿中,插图是从正面呈现的,因此被认为是传达了原始风格。花山博物馆收藏的16张图纸被认为是原始插图的草图,因为它们是花冈家族的作品。仔细检查这些手稿和粗略的草图可以进一步阐明Nyugan Chiken Roku的奥秘。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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