Toward autonomy in love and work: situating the film "Yo, también" within the political project of disability studies.

IF 0.3 3区 历史学 Q2 HISTORY
Benjamin Fraser
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引用次数: 0

Abstract

This essay looks at the representation of disability in the recent Spanish film "Yo, también" through the lens of disability studies, understood as a political project. The film's portrayal of a character who is, like the actor who plays him, Europe's first university graduate with Down syndrome, is unique. Moreover, "Yo, también" provides the opportunity to assess the state of the struggle for rights for persons with disabilities both in the film's narrative arc and also in the wider Spanish (and global) society. Among other sources, specific articles of the United Nations's recent Convention on the Rights of People with Disabilities are incorporated into the essay. Both essay and film coincide in emphasizing the need to grant disabled populations greater autonomy in the spheres of love and work.

在爱情和工作中走向自主:将电影《哟,tamamichan》置于残疾研究的政治项目中。
本文从残障研究的角度,探讨了最近的西班牙电影《哟,tamamichan》中残障的表现。残障研究被理解为一个政治项目。这部电影对这个角色的刻画是独一无二的,就像扮演他的演员一样,他是欧洲第一位患有唐氏综合症的大学毕业生。此外,《哟,tamamichan》提供了一个机会来评估在电影的叙事弧线和更广泛的西班牙(和全球)社会中为残疾人争取权利的斗争状况。除其他来源外,联合国最近通过的《残疾人权利公约》的具体条款也被纳入本文。文章和电影都强调必须给予残疾人在爱情和工作领域更大的自主权。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
18
审稿时长
48 weeks
期刊介绍: Established in 1940, Hispania. Revista Española de Historia is a four-monthly Journal devoted to the study of medieval, modern and contemporary societies, accepting original research papers with no restrictions on their subject or geographical bounds. Since 1995, some Hispania issues include a Monographic Section, with invited contributions from outstanding national and foreign historians. Also a comprehensive Bibliographical Section is routinely included.
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