“An Adamless Eden” in Ingonish: what Cape Breton's archives reveal.

Abstract

This essay reads the archived life of a Sydney-based woman - Ella Liscombe (1902–69) - as it was recorded in her diaries, notebooks, and especially her photograph album of a 1927 camping excursion to Ingonish, Cape Breton Island. This album features pictures of women in "cross-dress," and the writings that gloss these camping records express Ella Liscombe’s erotic same-sex feelings about her female companions. As this essay explores Liscombe’s sartorial and emotional aesthetics, it also makes distinctions between "mannish" behaviour and "boyish" performance/costume, ultimately suggesting that Ella and her friends indulged in "twilight moments" to escape the strictures of domestic femininity.