[Fatal diseases and "imaginary" suffering. "Hypochondria" and "consumption" in the correspondence between Jean Paul and Johann Bernhard Hermann, with a perspective on Jean Paul's literature and aesthetics].

Monika Meier
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Abstract

The German writerJean Paul (Johann Paul Friedrich Richter, 1763-1825) and his friendJohann Bernhard Hermann (1761-1790) became acquainted with the thoughts of late Enlightenment at the University of Leipzig. They particularly appreciated the anthropology of Ernst Platner, who taught philosophy and aesthetics as well as medicine. Their confidential correspondence contains reflections on their respective situation and well being. Both write about feeling ill and label their illness "hypochondria". In the course of the correspondence Jean Paul's understanding of hypochondria evolves from an illness of the entrails as he follows Hermann, who supports the modern concept of hypochondria as an illness of the nerves. Two important themes from this correspondence recur in Jean Paul's novels and tales: firstly, his way of expressing comfort is related to his aesthetics, and secondly, the satirical way of portraying at least certain aspects of illness as imaginary reappears in his first successful novel "The Invisible Lodge" (1793).

致命的疾病和“想象”的痛苦。让·保罗与约翰·伯恩哈德·赫尔曼通信中的“疑病症”与“消费”,以让·保罗的文学与美学为视角]。
德国作家让·保罗(约翰·保罗·弗里德里希·里希特,1763-1825)和他的朋友约翰·伯恩哈德·赫尔曼(1761-1790)在莱比锡大学接触到了晚期启蒙运动的思想。他们特别欣赏恩斯特·普拉特纳(Ernst Platner)的人类学,他不仅教授医学,还教授哲学和美学。他们的机密通信包含了对各自处境和幸福的思考。两人都写了自己不舒服的感觉,并把自己的病称为“疑病症”。在通信过程中,让·保罗对疑病症的理解从内脏疾病演变而来,他追随赫尔曼,后者支持现代概念,即疑病症是一种神经疾病。这种通信的两个重要主题在让·保罗的小说和故事中反复出现:首先,他表达安慰的方式与他的美学有关;其次,在他第一部成功的小说《看不见的小屋》(1793)中,他以讽刺的方式描绘了至少某些虚构的疾病方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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