Creating public alienation: expert cultures of risk and ethics on GMOs.

IF 2.5 3区 哲学 Q1 CULTURAL STUDIES
B Wynne
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引用次数: 564

Abstract

j INTRODUCTION Public concerns about new technologies like genetically modiŽ ed organisms (GMOs) have occasioned recognition of a crisis of public conŽ dence in science in late-modern society (UK House of Lords, 2000; CEC, 2000). The long-held belief on the part of promoters of such technologies that the public’s unwillingness to comply with scientiŽ c prescriptions is due to public ignorance and media irresponsibility, has been falsiŽ ed by copious evidence and experience (which is not to say that these conditions do not exist). Nevertheless, the key insight continues to be systematically overlooked—namely, that sceptical public reactions are not reactions to (supposedly misperceived) risks as such, or to media representations of these, but rather are public judgements of dominant scientiŽ c and policy institutions and their behaviours, including their representations of the public (Wynne, 1980, 1989). This alternative understanding of the basic forces and responsibilities underlying public responses recognizes that they have intellectual substance, which of course is always fallible and arguable, yet their intellectual substance does not correspond with institutional expert categories, since it goes much deeper than simply ‘disagreeing with’ or ‘rejecting’ expert views. Conventional approaches, on the other hand, reproduce long-standing, deeply cultural presumptions of a categorical divide between factual, objective and real knowledge on the one hand, and cognitively empty emotion or values on the other; and that whilst science looks after the former, lay publics are only capable of taking sentimental, emotional and intellectually vacuous positions.
制造公众异化:转基因生物风险和伦理的专家文化。
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来源期刊
Science As Culture
Science As Culture Multiple-
CiteScore
5.20
自引率
3.80%
发文量
28
期刊介绍: Our culture is a scientific one, defining what is natural and what is rational. Its values can be seen in what are sought out as facts and made as artefacts, what are designed as processes and products, and what are forged as weapons and filmed as wonders. In our daily experience, power is exercised through expertise, e.g. in science, technology and medicine. Science as Culture explores how all these shape the values which contend for influence over the wider society. Science mediates our cultural experience. It increasingly defines what it is to be a person, through genetics, medicine and information technology. Its values get embodied and naturalized in concepts, techniques, research priorities, gadgets and advertising. Many films, artworks and novels express popular concerns about these developments. In a society where icons of progress are drawn from science, technology and medicine, they are either celebrated or demonised. Often their progress is feared as ’unnatural’, while their critics are labelled ’irrational’. Public concerns are rebuffed by ostensibly value-neutral experts and positivist polemics. Yet the culture of science is open to study like any other culture. Cultural studies analyses the role of expertise throughout society. Many journals address the history, philosophy and social studies of science, its popularisation, and the public understanding of society.
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