How close is too close? Digital replicas and protection of the “unfixed” voice

Jennifer Chubb, Peter S. Harrison, James Tompkinson, Emily Thompson
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Abstract

Human voices provide information relating to identity, social traits and emotional markers. Scholars emphasise the intrinsic connection between voices, human cultural habits and self-expression. The development of AI-generated digital replicas means that the voice is no longer a uniquely human characteristic. This paper considers the legal, social and linguistic challenges posed by digital voice replicas. Owing to their prevalence in the creative industries, we draw on qualitative focus group data comprising the views of researchers, creatives and IP practitioners. Our findings illustrate a range of responses including skepticism, uncertainty and fear about the loss of authenticity. These responses serve as a provocation as to what happens to authenticity and ownership of the human voice. We find digital replicas evoke a strong emotional response. The voice means a lot to people. Against this backdrop, we highlight the urgent need to address the legal vulnerability of the “un-fixed” voice, (a voice not permanently captured in traditional recordings), and the inadequacy of current United Kingdom (UK) Intellectual Property (IP) frameworks to protect it. This highlights a significant regulatory lacuna which calls for a more robust protection of a ‘personality right’ in UK law.

多近才算太近?数字复制和“不固定”声音的保护
人类的声音提供了与身份、社会特征和情感标记有关的信息。学者们强调声音、人类文化习惯和自我表达之间的内在联系。人工智能生成的数字复制品的发展意味着声音不再是人类独有的特征。本文考虑了数字语音副本带来的法律、社会和语言挑战。由于他们在创意产业中普遍存在,我们利用定性焦点小组数据,包括研究人员,创意人员和知识产权从业者的观点。我们的研究结果说明了一系列的反应,包括怀疑、不确定和对失去真实性的恐惧。这些反应是对人类声音的真实性和所有权发生了什么的挑衅。我们发现数字复制品能唤起强烈的情感反应。声音对人们来说意义重大。在此背景下,我们强调迫切需要解决“不固定”声音(传统录音中未永久收录的声音)的法律脆弱性问题,以及当前英国知识产权(IP)框架在保护这种声音方面的不足。这凸显了一个重要的监管空白,需要在英国法律中对“人格权”进行更有力的保护。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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