Resilient Rhythms: Children’s Audio-Graphic Notations During Wartime

IF 1.1 3区 教育学 Q2 EDUCATION & EDUCATIONAL RESEARCH
Rivka Elkoshi
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引用次数: 0

Abstract

Initiated as a volunteer outreach effort in Israel following the October 7, 2023 war, a music education program served 178 evacuated, out-of-school children to support displaced children’s education. Participants ( N = 178) were divided into two age groups: preschoolers ( n = 80; mean age: 4.1 years) and schoolchildren ( n = 98; mean age: 8.0 years). The program featured rhythm-based activities, including playing percussion instruments and creating self-invented rhythmic notations. In this arts-based study, I examined children’s audio-graphic responses to rhythmic stimuli and age-related differences in expression. Data included children’s invented notations, verbal comments, and field observations collected over thirty 1-hr sessions and analyzed through qualitative content analysis and triangulation of visual, verbal, and external assessments. Audio-graphic responses were categorized into five genres: Instrumental Pictograms (depicting sound sources), Acousmatic Notations (representing sounds), Contextual Illustrations (non-musical content), Integrated Productions, and Enigmatic Drawings (depicting unclear content). Findings revealed distinct age-related patterns across categories, with a plateau in Pictogram responses. War-related themes were rare in Contextual Illustrations, though bipolar semantic differential scales indicated underlying crisis-related emotions. This study contributes to international research on children’s processing of conflict through art, providing insight into their musical perception and socio-emotional experiences amid evacuation and wartime conditions.
弹性节奏:战时儿童的视听符号
在2023年10月7日的战争之后,一个音乐教育项目在以色列发起,为178名被疏散的失学儿童提供服务,以支持流离失所儿童的教育。参与者(N = 178)被分为两个年龄组:学龄前儿童(N = 80,平均年龄4.1岁)和学龄儿童(N = 98,平均年龄8.0岁)。该节目以节奏为基础的活动为特色,包括演奏打击乐器和创造自己发明的节奏符号。在这项以艺术为基础的研究中,我研究了儿童对节奏刺激的视听反应和与年龄相关的表达差异。数据包括在30个1小时的课程中收集的儿童发明的符号、口头评论和实地观察,并通过定性内容分析和视觉、口头和外部评估的三角分析法进行分析。视听反应被分为五种类型:工具性象形图(描绘声源)、声学符号(表示声音)、上下文插图(非音乐内容)、综合制作和谜式绘图(描绘不明确的内容)。研究结果揭示了不同类别的不同年龄相关模式,象形文字反应呈平稳期。虽然双极性语义差异量表显示了潜在的危机相关情绪,但在上下文插图中很少出现与战争相关的主题。本研究为儿童通过艺术处理冲突的国际研究做出了贡献,为他们在疏散和战时条件下的音乐感知和社会情感体验提供了见解。
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来源期刊
CiteScore
3.20
自引率
11.10%
发文量
58
期刊介绍: The International Journal of Music Education (IJME) is a peer-reviewed journal published by the International Society for Music Education (ISME) four times a year. Manuscripts published are scholarly works, representing empirical research in a variety of modalities. They enhance knowledge regarding the teaching and learning of music with a special interest toward an international constituency. Manuscripts report results of quantitative or qualitative research studies, summarize bodies or research, present theories, models, or philosophical positions, etc. Papers show relevance to advancing the practice of music teaching and learning at all age levels with issues of direct concern to the classroom or studio, in school and out, private and group instruction. All manuscripts should contain evidence of a scholarly approach and be situated within the current literature. Implications for learning and teaching of music should be clearly stated, relevant, contemporary, and of interest to an international readership.
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