{"title":"A Less-Than-Grand- Finale","authors":"Bernard F. Dick","doi":"10.14325/mississippi/9781496856128.003.0016","DOIUrl":null,"url":null,"abstract":"This chapter examines Cole Porter's final musical venture, <italic>Aladdin</italic> , a 1958 live CBS television production created in response to the success of Rodgers and Hammerstein's <italic>Cinderella</italic> (1957). Despite its prestigious creative team, strong cast, and Porter's score, the show falters due to S. J. Perleman's unfocused book, which privileges the sorcerer Sui-Jamal over Aladdin, leaving the romantic leads underdeveloped and musically uninspired. While Cyril Ritchard steals the spotlight with Porter's witty songs, other performers struggle with limited material, and the telecast controversially omits Basil Rathbone's song “Wouldn't It Be Fun?” A 1959 London stage version, revised by Peter Coke, restructures the narrative with pantomime elements, new characters, and a stronger cast under Robert Helpmann's direction, achieving greater success. Finally, the chapter reflects on Porter's declining health, his retirement, and his death in 1964.","PeriodicalId":35190,"journal":{"name":"MISSISSIPPI QUARTERLY","volume":"1 1","pages":"185-190"},"PeriodicalIF":0.1000,"publicationDate":"2025-04-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"MISSISSIPPI QUARTERLY","FirstCategoryId":"0","ListUrlMain":"https://doi.org/10.14325/mississippi/9781496856128.003.0016","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter examines Cole Porter's final musical venture, Aladdin , a 1958 live CBS television production created in response to the success of Rodgers and Hammerstein's Cinderella (1957). Despite its prestigious creative team, strong cast, and Porter's score, the show falters due to S. J. Perleman's unfocused book, which privileges the sorcerer Sui-Jamal over Aladdin, leaving the romantic leads underdeveloped and musically uninspired. While Cyril Ritchard steals the spotlight with Porter's witty songs, other performers struggle with limited material, and the telecast controversially omits Basil Rathbone's song “Wouldn't It Be Fun?” A 1959 London stage version, revised by Peter Coke, restructures the narrative with pantomime elements, new characters, and a stronger cast under Robert Helpmann's direction, achieving greater success. Finally, the chapter reflects on Porter's declining health, his retirement, and his death in 1964.
这一章考察了科尔·波特的最后一部音乐剧《阿拉丁》,这是1958年CBS电视台为回应罗杰斯和汉默斯坦的《灰姑娘》(1957)的成功而制作的现场电视作品。尽管拥有著名的创作团队,强大的演员阵容和波特的配乐,但由于S. J. Perleman的书没有重点,使得巫师Sui-Jamal比阿拉丁更受重视,使得浪漫的主角不发达,音乐也没有灵感。虽然西里尔·理查德以波特诙谐的歌曲抢尽了风头,但其他表演者却在有限的素材中苦苦挣扎,而且电视直播中有争议地省略了巴兹尔·拉斯伯恩的歌曲《不会很有趣吗?》1959年,由彼得·科克(Peter Coke)修改的伦敦舞台剧版本在罗伯特·赫尔普曼(Robert Helpmann)的指导下,用哑剧元素、新角色和更强大的演员阵容重组了故事,取得了更大的成功。最后,这一章反映了波特每况愈下的健康状况、他的退休和他1964年的去世。
期刊介绍:
Founded in 1948, the Mississippi Quarterly is a refereed, scholarly journal dedicated to the life and culture of the American South, past and present. The journal is published quarterly by the College of Arts and Sciences of Mississippi State University.