From Orientalism to Islamophobia: Media Representation of Arabs and Muslims on the Pre-and Post-9/11 Hollywood On-Screen and Egyptian Cinema

Noor Bajuwaiber
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引用次数: 1

Abstract

Examining the development of Arab-Muslim identities in Hollywood and Egyptian films, the presented study tracks their transition from orientalism to neo-orientalism and Islamophobia. Utilizing an interpretive method, the research explores pre- and post-9/11 films by delving into textual analysis. During Hollywood’s pre-9/11 era, stereotypes were reinforced, but post-9/11 works greatly magnified Islamophobic representations. While some cinemas may have emphasized external changes, Egyptian cinema focused on challenging internal preconceptions and embracing the complexity of the surrounding world. The research highlights the media’s powerful role in forming opinions and advocates for responsible reporting. Media literacy programs hold immense potential in challenging stereotypes, and diverse representation is key. Collaborating with filmmakers, studios, and audiences is vital to ensure the responsible portrayal of Arab-Muslim identities.
从东方主义到伊斯兰恐惧症:9/11前后好莱坞银幕和埃及电影中阿拉伯人和穆斯林的媒体表现
本研究考察了好莱坞和埃及电影中阿拉伯-穆斯林身份的发展,追踪了他们从东方主义到新东方主义和伊斯兰恐惧症的转变。本研究运用诠释的方法,透过文本分析来探讨9/11之前和之后的电影。在9/11之前的好莱坞时代,刻板印象得到了强化,但9/11之后的作品极大地放大了伊斯兰恐惧症的表现。虽然有些电影院可能强调外部变化,但埃及电影专注于挑战内部成见,拥抱周围世界的复杂性。该研究强调了媒体在形成意见和倡导负责任报道方面的强大作用。媒体扫盲项目在挑战刻板印象方面具有巨大潜力,多元化代表是关键。与电影制作人、制片厂和观众合作对于确保负责任地描绘阿拉伯-穆斯林身份至关重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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