Luna Nera, o Escolhido, Jinn. Netflix and Narratives of the Supernatural between Local Seriality and Global Imaginary

Aurelio D'Amore
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Abstract

The fantastic has long been a distinctive feature of Anglo-American popular culture. This narrative mode has a strong religious content due to its specific genre codes. Today, Netflix, through its geographical reach and multi-territorial commissioning strategy, enables the dissemination of the fantastic in numerous popular cultures around the world. Using the framework of the mediatisation of religion, this paper focuses on a specific dimension of the fantastic: the supernatural. More specifically, this paper addresses three Netflix ‘local’ fantastic television series – Luna Nera, O Escolhido and Jinn – that are grounded on the supernatural. All three draw on religious elements from local cultures, but all three transpose them into a universal supernatural storytelling. This paper aims to examine these series in order to understand how Netflix’s ‘local’ fantastic narratives, aimed at both local and global audiences, tend to renegotiate local religious imaginaries in favour of a global mediatised religious imaginary.
卢娜·奈拉,或埃斯科利希多,精灵。奈飞与超自然叙事:地方性系列性与全球想象性
长期以来,奇幻一直是英美流行文化的一个显著特征。这种叙事模式由于其特定的体裁编码而具有强烈的宗教内容。今天,Netflix通过其地理覆盖范围和多地域委托策略,使世界各地众多流行文化的奇妙传播成为可能。利用宗教媒介化的框架,本文聚焦于幻想的一个特定维度:超自然。更具体地说,本文讨论了Netflix三部“本地”奇幻电视剧——《Luna Nera》、《O Escolhido》和《Jinn》——它们都是以超自然为基础的。这三部电影都从当地文化中汲取了宗教元素,但都把它们转化成了一个普遍的超自然故事。本文旨在研究这些系列,以了解Netflix的“本地”梦幻叙事如何针对本地和全球观众,倾向于重新谈判当地的宗教想象,以支持全球调解的宗教想象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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