EXPLORING THE RELATIONSHIP BETWEEN KASHMIRI PANDIT MILLENNIALS AND HINDI CINEMA POST-MIGRATION: A QUALITATIVE STUDY (ICSSR FUNDED RESEARCH)

Q2 Social Sciences

Journal of Content, Community and Communication Pub Date : 2025-06-27 DOI:10.31620/jccc.06.25/07

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引用次数: 0

Abstract

The migration of Kashmiri Pandits from Kashmir during the years 1989 and 1990 due to violence and unrest left an unforgettable mark on their lives, particularly on the younger generation known as millennials. This paper aims to examine the relationship between Kashmiri Pandit millennials and Hindi cinema post-migration, shedding light on how cinema served as a refuge and a source of aspiration amidst the challenges of displacement and adaptation. The study investigates the experiences of Kashmiri Pandit millennials who grew up in the aftermath of the mass exodus,witnessing their families‘ struggles for basic necessities and survival. Despite the hardships, Hindi cinema emerged as a significant cultural touchstone, offering moments of escape and inspiration. Through in-depth interviews, this research explores how these individuals engaged with cinema beyond the traditional theatre experience, incorporating it into their daily lives through activities such as singing songs, collecting memorabilia, and emulating their favourite stars. By examining the intersection of personal narratives and cultural influences, this study seeks to understand the role of Hindi cinema in shaping the identities and experiences of Kashmiri Pandit millennials post-migration. Through their interactions with cinema, these individuals navigated complex emotions and forged connections to a broader cultural landscape, providing insights into the resilience and adaptability of displaced communities. Keywords: Kashmiri Pandit, millennials, migration, Hindi cinema, qualitative study, catharsis

查看原文本刊更多论文

探讨克什米尔pandit千禧一代与移民后印地语电影之间的关系：一项定性研究（icssr资助的研究）

1989年和1990年，由于暴力和动乱，克什米尔Pandits从克什米尔迁移，在他们的生活中留下了难忘的印记，特别是在被称为千禧一代的年轻一代。本文旨在研究克什米尔潘迪特千禧一代与移民后印度电影之间的关系，揭示电影如何在流离失所和适应的挑战中成为避难所和愿望的源泉。该研究调查了克什米尔潘迪特千禧一代的经历，他们在大规模外流之后长大，目睹了他们的家庭为基本必需品和生存而奋斗。尽管困难重重，印度电影还是成为了一个重要的文化试金石，提供了逃避和灵感的时刻。通过深入访谈，本研究探讨了这些人如何超越传统的剧院体验，将电影融入他们的日常生活，比如唱歌、收集纪念品、模仿他们最喜欢的明星。通过考察个人叙事和文化影响的交集，本研究试图了解印度电影在塑造克什米尔潘迪特千禧一代移民后的身份和经历方面的作用。通过与电影的互动，这些人驾驭了复杂的情感，并与更广泛的文化景观建立了联系，为流离失所社区的恢复力和适应性提供了见解。关键词：克什米尔Pandit，千禧一代，移民，印地语电影，定性研究，宣泄

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来源期刊

Journal of Content, Community and Communication Social Sciences-Communication

CiteScore

2.90

自引率

0.00%

发文量

期刊介绍： Amity School of Communication, AUMP, Gwalior is publishing a bi-annual referred and peer-reviewed journal named “Journal of Content, Community & Communication”. The Journal of Content, Community & Communication aims at delving into inquiry into and providing a forum for discussion pertaining to contemporary communication issues within wider social, economic, cultural and technological contexts. The journal promotes analyzing contemporary communication issues in new light and research. It will aim at bringing to the surface, innovative ways of research to initiate a dialogue on an array of subject matters in the field of communication theory and practice. The journal will engage in a wide range of themes in the media studies, digital media, and communication management among others.