Roots Punk

IF 0.1 4区 文学 0 LITERARY THEORY & CRITICISM
David A. Ensminger
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引用次数: 0

Abstract

As punk music splintered into “hardcore”—a harsher, stripped down, and more belligerent variant—it also mutated into roots-punk, too. This book explores how this “cow-punk” genre, whether sarcastic or sincere, revealed and reveled in an underbelly lined with blues records, country a.m. stations, and hillbilly romp. It highlights how ‘backing into roots music’ should be understood as a longing for gritty authenticity in a time of conformity and commercialization during the 1980s. Roots-punk revitalized spirits and energies by infusing the cutting-edge music with a wide array of vintage source material that seemed more aligned with bolo ties and Stetsons than Doc Martens and safety pins. Though punk often showcased anarchic political convictions and subversive lifestyle choices, its supposedly “future-now” music sometimes yielded one foot in the past, whether honky-tonk, rockabilly, doo-wop, reggae and ska, jazz, folk, jump blues, dust bowl and labor ballads, and more. This book explores such aesthetics and themes plus contextualizes, clarifies, maps, and probes beyond lyrical flourishes, incessant musical reinvention, and genre purity tests. It paints a broad, nuanced, and well-documented picture of the genre that gave rise to alternative country. In doing so, it also highlights the participation of women, Latinos, indigenous, African Americans, and LGBTQ+ rockers who yielded boundary-crossing sensibilities and styles. To do so, the text forms a kind of folksonomy of the movement, a people’s oral history captured in years-worth of nuanced interviews that discuss history, storytelling, music, social issues, spirituality, gender, politics, subcultures, and much more.
根朋克
随着朋克音乐分裂成“硬核”——一种更严厉、更精简、更好斗的变体——它也变异成了根朋克。这本书探讨了这种“牛朋克”类型,无论是讽刺还是真诚,如何揭示和陶醉于蓝调唱片,乡村电台和乡巴佬的嬉闹。它强调了“回归根音乐”应该被理解为在20世纪80年代的一致性和商业化时代对坚韧不拔的真实性的渴望。根朋克通过将各种复古的原始材料注入前卫的音乐中,使精神和能量重新焕发活力,这些材料看起来更像是polo领带和Stetsons,而不是Doc Martens和安全别针。尽管朋克经常表现出无政府主义的政治信念和颠覆性的生活方式选择,但它所谓的“未来现在”音乐有时会在过去的基础上后退一步,无论是乡村酒吧、乡村摇滚乐、杜沃普、雷鬼和斯卡、爵士、民谣、跳布鲁斯、沙尘碗和劳工民谣等等。这本书探讨了这样的美学和主题加上语境,澄清,地图和探索超越抒情繁荣,不断的音乐改造,和流派纯度测试。它描绘了一幅广泛的、细致入微的、有据可查的画面,描绘了另类乡村音乐的兴起。在此过程中,它还突出了女性、拉丁裔、土著、非裔美国人和LGBTQ+摇滚歌手的参与,他们创造了跨越边界的情感和风格。为了做到这一点,这本书形成了一种运动的民间分类学,这是一个民族的口述历史,是多年来细致入微的访谈,讨论了历史、故事、音乐、社会问题、精神、性别、政治、亚文化等等。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
MISSISSIPPI QUARTERLY
MISSISSIPPI QUARTERLY Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
0
期刊介绍: Founded in 1948, the Mississippi Quarterly is a refereed, scholarly journal dedicated to the life and culture of the American South, past and present. The journal is published quarterly by the College of Arts and Sciences of Mississippi State University.
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