{"title":"Shopping and Chopping: How Everyday Sounds Come Alive in Sinophone Toronto","authors":"Yun Emily Wang","doi":"10.5406/21567417.69.3.04","DOIUrl":null,"url":null,"abstract":"Abstract Through ethnography, this article studies the different ways in which two immigrant Chinese women listened to everyday sounds (blender growl, bone cutter shrieks, cleaver thuds) in relation to their environments (mall, supermarket, and kitchen) and to each other. I situate their frictions within dominant tropes of immigration, ethnicity, race, and gender under Canadian multiculturalism, in Chinese history, and through gendered Asian racialization in North America. Following anthropologist Veena Das's formulation of the everyday as sedimented histories in practice, I argue that everyday sounds are abuzz as the messy underside to musical identity articulations and as such may productively unsettle ethnomusicology's own intellectual habitus.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":"69 3","pages":"333-356"},"PeriodicalIF":0.4000,"publicationDate":"2025-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ETHNOMUSICOLOGY","FirstCategoryId":"0","ListUrlMain":"https://doi.org/10.5406/21567417.69.3.04","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract Through ethnography, this article studies the different ways in which two immigrant Chinese women listened to everyday sounds (blender growl, bone cutter shrieks, cleaver thuds) in relation to their environments (mall, supermarket, and kitchen) and to each other. I situate their frictions within dominant tropes of immigration, ethnicity, race, and gender under Canadian multiculturalism, in Chinese history, and through gendered Asian racialization in North America. Following anthropologist Veena Das's formulation of the everyday as sedimented histories in practice, I argue that everyday sounds are abuzz as the messy underside to musical identity articulations and as such may productively unsettle ethnomusicology's own intellectual habitus.
期刊介绍:
As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.