Filmic construction of regional Islamophobia: Rendering Kashmiri Muslims in Hindi cinema

IF 0.6 Q4 COMMUNICATION
Tawseef Majeed
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引用次数: 0

Abstract

This article examines the representation of Kashmir and its people in Hindi cinema, particularly Kashmiri Muslims. Cinematic representation has contributed to a harmful perception of Muslim identity and Islam. Given the contemporary global religio-political scenario, it is crucial to examine this phenomenon in promoting such perceptions about Kashmir, which is often referred to as South-Asian Palestine. The methodology employs survey, dialogical deconstruction and narrative analysis to unearth the implicit significances within three selected films, Haider , Mission Kashmir and Roja , depicting the Kashmiri Muslim subjects and their effect on the youth. A survey of university youth was also conducted at three central universities in Delhi. The investigation reveals a prevalent theme of violence in these films, often giving negative and biased portrayals of Kashmiris. Such conscious constructions of negative characters and narratives perpetuate Kashmirophobia – the fear or prejudice against Kashmir and its people among the youth. The portrayal of Kashmiri Muslims in Bollywood aggravates communal narratives and reinforces discriminatory views about the community, affecting the perception of the audience towards Kashmiri Muslims.
区域性伊斯兰恐惧症的电影建构:在印度电影中渲染克什米尔穆斯林
本文探讨了克什米尔及其人民在印度电影中的表现,特别是克什米尔穆斯林。电影表现助长了对穆斯林身份和伊斯兰教的有害看法。鉴于当代全球宗教-政治情况,在促进对克什米尔的这种看法时,审查这种现象是至关重要的,克什米尔通常被称为南亚巴勒斯坦。本文采用调查、对话解构和叙事分析的方法,挖掘了三部电影《海德尔》、《克什米尔使命》和《罗贾》的隐含意义,描绘了克什米尔穆斯林主题及其对青年的影响。在德里的三所中央大学也进行了一项大学生青年调查。调查揭示了这些电影中普遍存在的暴力主题,往往对克什米尔人进行负面和有偏见的描绘。这种有意识地建构消极人物和叙述使克什米尔恐惧症- -青年人对克什米尔及其人民的恐惧或偏见- -永久化。宝莱坞对克什米尔穆斯林的描绘加剧了社区叙事,强化了对社区的歧视性看法,影响了观众对克什米尔穆斯林的看法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Arab and Muslim Media Research
Journal of Arab and Muslim Media Research Social Sciences-Linguistics and Language
CiteScore
1.10
自引率
0.00%
发文量
10
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