Juguetes en las artes visuales del Uruguay

Magalí Pastorino
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Abstract

Since the last century, the toy has been one of the topics of artistic practices and motivates a line of speculation and analysis of the creative process by virtue of the question about the status of the manufactured object, when it is put in the place of the artistic work. For this reason, an attempt is made to review and update the discursive plot of the toy, made by the artist, exhibited in artistic circuits, in light of the creative process and practice of three Uruguayan artists: Torres García, Musso and Larrosa. The symbolic, affective and aesthetic relationship between art, play and toys suggests a territory to update the emotional and cultural conditions of Latin American societies.
乌拉圭视觉艺术中的玩具
自上个世纪以来,玩具一直是艺术实践的主题之一,并激发了一系列对创作过程的猜测和分析,这是由于制造对象的地位问题,当它被置于艺术作品的位置时。出于这个原因,我们尝试根据三位乌拉圭艺术家Torres García、Musso和Larrosa的创作过程和实践,回顾和更新艺术家制作的玩具的话语情节,并在艺术巡回展览中展出。艺术、游戏和玩具之间的象征、情感和审美关系暗示了拉丁美洲社会情感和文化状况的更新。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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