{"title":"“The Ways He Could Live Different Lives”","authors":"Will Fulton","doi":"10.14325/mississippi/9781496845252.003.0007","DOIUrl":null,"url":null,"abstract":"This chapter details the development of Prince's music-making process in the 1980s. It considers how technological autonomy led to the creation of performative characters and alter egos in seeming interaction. Prince used recording techniques such as pitch-shifting vocals to explore identity play while challenging identity and genre taxonomy. The chapter then analyzes the recordings on which Prince performed nearly every instrumental and vocal part, including “Let's Work” (recorded 1981), “If I Was Your Girlfriend,” “Bob George,” and “Adore” (all recorded 1986), and studies their production histories. It shows how Prince developed an industry based on solo recording by transforming the collective practices of R&B, while challenging racial, gender, and genre norms in a segregated music industry.","PeriodicalId":35190,"journal":{"name":"MISSISSIPPI QUARTERLY","volume":"1 1","pages":"103-131"},"PeriodicalIF":0.1000,"publicationDate":"2023-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"MISSISSIPPI QUARTERLY","FirstCategoryId":"0","ListUrlMain":"https://doi.org/10.14325/mississippi/9781496845252.003.0007","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter details the development of Prince's music-making process in the 1980s. It considers how technological autonomy led to the creation of performative characters and alter egos in seeming interaction. Prince used recording techniques such as pitch-shifting vocals to explore identity play while challenging identity and genre taxonomy. The chapter then analyzes the recordings on which Prince performed nearly every instrumental and vocal part, including “Let's Work” (recorded 1981), “If I Was Your Girlfriend,” “Bob George,” and “Adore” (all recorded 1986), and studies their production histories. It shows how Prince developed an industry based on solo recording by transforming the collective practices of R&B, while challenging racial, gender, and genre norms in a segregated music industry.
本章详细介绍了普林斯在20世纪80年代音乐创作过程的发展。它考虑了技术自主性如何导致表演角色的创造,并在表面上的互动中改变自我。普林斯利用音高变换等录音技术,在挑战身份和流派分类的同时,探索身份游戏。然后,本章分析了普林斯演唱的几乎所有器乐和人声部分的录音,包括1981年录制的《Let's Work》、1986年录制的《If I Was Your Girlfriend》、《Bob George》和《Adore》,并研究了它们的制作历史。它展示了普林斯如何通过改变R&;B的集体实践,发展了一个以个人录音为基础的产业,同时挑战了种族,性别和流派在隔离的音乐产业中的规范。
期刊介绍:
Founded in 1948, the Mississippi Quarterly is a refereed, scholarly journal dedicated to the life and culture of the American South, past and present. The journal is published quarterly by the College of Arts and Sciences of Mississippi State University.