The YouTuber

Q1 Arts and Humanities
Kimberly Hassel
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引用次数: 0

Abstract

In the age of digital content curation and creation, what happens when the ethnographer unwittingly becomes an internet celebrity? This piece of creative nonfiction follows an anthropologist's fateful meeting with a YouTuber during her fieldwork on digital sociality in Tokyo. The YouTuber agrees to participate in an interview for her dissertation with a catch: she must appear on his YouTube channel, which features foreigners eating Japanese cuisine. What seems to be an innocuous exchange turns into an anxious array of musings, as the anthropologist underestimates the popularity of the YouTuber's channel and finds herself garnering more attention than she had anticipated. “The YouTuber” highlights the shifting terrain of ethnographic encounters and digital hybridity, including the potential nature of “exchange relationships” with interlocutors who engage in digital content creation. This piece contemplates the parameters of “doing” an ethnography of the digital in contemporary Japan, which can be extended to the digital in other contexts. The characters, locations, and encounters are based on the author's ethnographic fieldwork on digital sociality in Japan, which took place in Tokyo between August 2019 and August 2020, and remotely between August 2020 and October 2021.

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在数字内容管理和创作的时代,当民族志学家在不知不觉中成为网红时,会发生什么?这篇创造性的非虚构作品讲述了一位人类学家在东京进行数字社会实地调查期间与一位youtube用户的命运之旅。这位YouTube用户同意为她的论文接受采访,但有一个条件:她必须出现在他的YouTube频道上,该频道以外国人吃日本菜为主题。看似无伤大雅的交流变成了一系列焦虑的沉思,因为这位人类学家低估了这位youtube用户频道的受欢迎程度,并发现自己获得了比预期更多的关注。“The YouTuber”突出了人种学相遇和数字混合的变化地形,包括与从事数字内容创作的对话者之间“交换关系”的潜在性质。这件作品思考了“做”当代日本数字人种志的参数,这可以扩展到其他背景下的数字。人物、地点和遭遇都是基于作者在2019年8月至2020年8月期间在东京进行的关于日本数字社会的民族志田野调查,以及在2020年8月至2021年10月期间进行的远程调查。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Anthropology and Humanism
Anthropology and Humanism Arts and Humanities-Literature and Literary Theory
CiteScore
1.00
自引率
0.00%
发文量
43
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