The vampire in late communist cinema: from internal enemy to foreign threat.

IF 0.4 3区哲学 Q4 ETHICS

Studies in East European Thought Pub Date : 2026-01-01 Epub Date: 2025-06-11 DOI:10.1007/s11212-025-09734-w

Anca Simina Martin

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引用次数: 0

Abstract

The vampire trope's connection to socialism originates in Karl Marx's The Communist Manifesto (1848), where it symbolizes capitalism. This interpretation has dominated vampire studies, often narrowing the discourse on the semantic dimensions of the vampire in communist states. This article examines the evolution of the vampire myth in Eastern bloc cinema from Lenin's 1917 October Revolution to Romania's 1989 communist collapse. By comparing socialist vampire movies to Western counterparts, the study reveals that Eastern European vampires usually embody the haunting legacy of communism's earlier phases. The article's final section contrasts vampire depictions in Poland, Czechoslovakia, Russia, and Romania during the cinema of late communism. While Romania-known as the vampire trope's birthplace-avoided the myth in cinema, other countries embraced it during this period to critique consumerism and shifting gender roles in Soviet societies. Through this exploration, the article illuminates the cinematic interpretations of the vampire across different socialist contexts.

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共产主义晚期电影中的吸血鬼：从内部敌人到外部威胁。

吸血鬼与社会主义的联系起源于卡尔·马克思的《共产党宣言》（1848），在那里它象征着资本主义。这种解释主导了吸血鬼研究，经常缩小了共产主义国家吸血鬼的语义维度。本文考察了从1917年列宁的十月革命到1989年罗马尼亚的共产主义崩溃，东方集团电影中吸血鬼神话的演变。通过将社会主义吸血鬼电影与西方同类电影进行比较，研究表明，东欧的吸血鬼通常体现了共产主义早期阶段挥之不去的遗产。文章的最后一部分对比了共产主义后期电影中波兰、捷克斯洛伐克、俄罗斯和罗马尼亚对吸血鬼的描写。虽然以吸血鬼比喻的诞生地而闻名的罗马尼亚在电影中避免了这个神话，但在这一时期，其他国家却接受了它，批评苏联社会的消费主义和性别角色的转变。通过这一探索，本文阐释了不同社会主义语境下电影对吸血鬼的诠释。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Studies in East European Thought Multiple-

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0.50

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期刊介绍： Studies in East European Thought (SEET) provides a forum for impartial scholarly discussion of philosophical thought and intellectual history of East and Central Europe, Russia, as well as post-Soviet states. SEET offers a venue for philosophical dialogue in a variety of relevant fields of study. Predominantly a philosophical journal, SEET welcomes work that crosses established boundaries among disciplines whether by bringing other disciplines to respond to traditional philosophical questions or by using philosophical reflection to address specific disciplinary issues. The journal publishes original papers by scholars working in the field without discriminating them based on their geographical origin and nationality. The editorial team considers quality of work to be the sole criterion of publication. In addition to original scholarly essays, SEET publishes translations of philosophical texts not previously available in the West, as well as book reviews. * A forum for scholarly discussion on philosophical thought and intellectual history of East and Central Europe, Russia, and post-Soviet states * Includes analytic, comparative, and historical studies of thinkers, philosophical and intellectual schools and traditions * In addition to original papers, publishes translations and book reviews * Although formatting is not crucial at the review stage, authors are strongly advised to refer to the Submission Guidelines of SEET to which articles accepted for publication must conform