Autoethnography of mothering

Q1 Arts and Humanities
Gemma M. Carney
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引用次数: 0

Abstract

These are four poems from a collection that burst out of me around the time of my 50th birthday. I am a social and cultural gerontologist and so 50 is a particularly significant age—it is the marker of having finally qualified as an older person, at least in physiological terms. It also signifies menopause and the end of the reproductive stage of life. That significant birthday coincided with my eldest son reaching adulthood. This confluence of life events caused me to reflect on how I have spent my adult life. The past 20 years have been dedicated to academic life, but always within the context and confines of raising a family. The pressure to perform both roles, daily and to a high standard is, perhaps, the most striking message from these poems.

母性的自我民族志
这是我在50岁生日时突然想到的四首诗。我是一名社会和文化老年学专家,所以50岁是一个特别重要的年龄——它是一个标志,标志着你终于有资格成为一个老年人,至少在生理上是这样。它也标志着更年期和生命生殖阶段的结束。那个重要的生日恰逢我大儿子成年。这些生活事件的交汇使我开始反思我是如何度过我的成年生活的。在过去的20年里,我一直致力于学术生活,但总是在养家糊口的背景和范围内。每天以高标准履行这两个角色的压力,也许是这些诗中最引人注目的信息。
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来源期刊
Anthropology and Humanism
Anthropology and Humanism Arts and Humanities-Literature and Literary Theory
CiteScore
1.00
自引率
0.00%
发文量
43
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