The poison in the cake: A fragmented writing about truths, lies, and silences

Q1 Arts and Humanities
Francesca Morra, Arinas Usoro
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引用次数: 0

Abstract

In this essay, the two co-authors engage in a conversation about violence, an object escaping and defying language. Francesca is an anthropologist employing notes of psychotherapy sessions as ethnographic material; Arinas is a writer gradually gathering narrative fragments to find the truth in her family history. The essay begins with the circumstances of their encounter and follows their narrative process, intertwining pieces of ethnography, journaling, and fiction. In the exchange with the ethnographer, the writer makes, remakes, and unmakes her truth firstly through self-translation, then through a multilingual conversation, and finally through fictional writing. The two writing practices mingle, becoming fragmented and polyvocal, and offering the possibility of inventing, and not just making sense of, experiences. Thus, truth appears as a multidimensional, paradoxical object: intimacy appears in violence, violence in affection, and poison in a piece of cake. The combination of languages, genres, and voices explodes a story into a bigger, shattered picture of fragments, thus opening up a possibility, as well as a risk, of transformation—of imagining a new world.

蛋糕里的毒药:关于真相、谎言和沉默的支离破碎的写作
在这篇文章中,两位合著者进行了一场关于暴力的对话,这是一种逃避和蔑视语言的对象。弗朗西斯卡是一位人类学家,她将心理治疗的记录作为人种学的材料;阿里纳斯是一个逐渐收集叙事碎片,在她的家族史中寻找真相的作家。这篇文章从他们相遇的环境开始,遵循他们的叙述过程,交织着民族志、日记和小说的片段。在与民族志学者的交流中,作者首先通过自我翻译,然后通过多语言对话,最后通过虚构的写作,来制造、重塑和破坏她的真相。这两种写作方式混合在一起,变得支离破碎和多音化,提供了创造体验的可能性,而不仅仅是理解体验。因此,真理作为一个多维的、矛盾的对象出现:亲密出现在暴力中,暴力出现在感情中,毒药出现在一块蛋糕中。语言、体裁和声音的结合将一个故事炸成一个更大的、破碎的碎片画面,从而开启了一种可能性,也带来了一种风险,一种转变——想象一个新世界。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Anthropology and Humanism
Anthropology and Humanism Arts and Humanities-Literature and Literary Theory
CiteScore
1.00
自引率
0.00%
发文量
43
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