{"title":"The Effect of Directed Practice Worksheets and Logs on Individual Practice and Performance Outcomes of Secondary Group-Piano Students","authors":"Pamela D. Pike, Carla Salas-Ruiz","doi":"10.1177/02557614251393168","DOIUrl":null,"url":null,"abstract":"This case study explores the effect of using directed practice worksheets and practice logs on student performance, self-reported practice attitudes, and deliberate practice. We compared two groups (control, <jats:italic toggle=\"yes\">n</jats:italic> = 42; experimental, <jats:italic toggle=\"yes\">n</jats:italic> = 41) of early intermediate group-piano students ( <jats:italic toggle=\"yes\">N</jats:italic> = 83). Experimental participants were guided through practice worksheets during two class sessions, while the control group rehearsed without worksheets. Then, all students practiced individually for 1 week before recording the repertoire. Forty participants (control and experimental; purposeful sample) completed individual practice logs; everyone completed practice questionnaires. Performances were evaluated for accuracy and data were triangulated from performance scores, researcher observations, questionnaires, and practice logs. Participants in the experimental groups performed the compositions more accurately and practiced more efficiently, transferring strategies from the practice worksheets to individual practice. Control group participants performed with more mistakes, exhibited less self-efficacy, and cited lack of time, coordination, or ability (rather than lack of deliberate practice) as reasons for poor performances. Implications of using sequenced practice worksheets and journaling to lead students from teacher-directed learning toward independent self-regulation and self-efficacy during practice are discussed in this paper.","PeriodicalId":46623,"journal":{"name":"International Journal of Music Education","volume":"29 1","pages":""},"PeriodicalIF":1.1000,"publicationDate":"2025-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Music Education","FirstCategoryId":"95","ListUrlMain":"https://doi.org/10.1177/02557614251393168","RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"EDUCATION & EDUCATIONAL RESEARCH","Score":null,"Total":0}
引用次数: 0
Abstract
This case study explores the effect of using directed practice worksheets and practice logs on student performance, self-reported practice attitudes, and deliberate practice. We compared two groups (control, n = 42; experimental, n = 41) of early intermediate group-piano students ( N = 83). Experimental participants were guided through practice worksheets during two class sessions, while the control group rehearsed without worksheets. Then, all students practiced individually for 1 week before recording the repertoire. Forty participants (control and experimental; purposeful sample) completed individual practice logs; everyone completed practice questionnaires. Performances were evaluated for accuracy and data were triangulated from performance scores, researcher observations, questionnaires, and practice logs. Participants in the experimental groups performed the compositions more accurately and practiced more efficiently, transferring strategies from the practice worksheets to individual practice. Control group participants performed with more mistakes, exhibited less self-efficacy, and cited lack of time, coordination, or ability (rather than lack of deliberate practice) as reasons for poor performances. Implications of using sequenced practice worksheets and journaling to lead students from teacher-directed learning toward independent self-regulation and self-efficacy during practice are discussed in this paper.
期刊介绍:
The International Journal of Music Education (IJME) is a peer-reviewed journal published by the International Society for Music Education (ISME) four times a year. Manuscripts published are scholarly works, representing empirical research in a variety of modalities. They enhance knowledge regarding the teaching and learning of music with a special interest toward an international constituency. Manuscripts report results of quantitative or qualitative research studies, summarize bodies or research, present theories, models, or philosophical positions, etc. Papers show relevance to advancing the practice of music teaching and learning at all age levels with issues of direct concern to the classroom or studio, in school and out, private and group instruction. All manuscripts should contain evidence of a scholarly approach and be situated within the current literature. Implications for learning and teaching of music should be clearly stated, relevant, contemporary, and of interest to an international readership.