Commercializing culture in China: The reconstruction of cultural symbols and the adaptation of the torch festival

IF 1.5
Asia and the Global Economy Pub Date : 2025-12-01 Epub Date: 2025-11-12 DOI:10.1016/j.aglobe.2025.100125
Shuang Yin, Kartini Aboo Talib @ Khalid, Shazlin Amir Hamzah
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Abstract

The Torch Festival, a significant cultural heritage of the Yi ethnic group in Yunnan, China, has undergone significant reconstruction of its cultural symbols in the context of globalization and modernization. This study employed qualitative methods, drawing on semi-structured interviews, participatory observation, and literature analysis, to explore the reconstruction mechanisms and modern adaptation strategies of the Torch Festival's cultural symbols. The study found that this reconstruction was manifested in ritual simplification, cultural expansion, and commercialization, with a shift from community-led inheritance to tourism-driven symbolic reproduction. Digital technology has both expanded dissemination and exacerbated symbolic alienation. Thematic analysis identified five key themes: ritual simplification and cultural identity, cultural expansion and modern innovation, intergenerational differences and inheritance challenges, commercialization and cultural adaptation, and digital technology and cultural communication. This study fills existing gaps and provides a reference for the modern development of traditional festivals.
中国的商业化文化:文化符号的重构与火把节的改编
火把节是中国云南彝族的重要文化遗产,在全球化和现代化的背景下,其文化符号经历了重大的重构。本研究采用质性方法、半结构化访谈法、参与式观察法和文献分析法,探讨火炬节文化符号的重构机制和现代适应策略。研究发现,这种重建表现为仪式简化、文化扩张和商业化,从社区主导的传承向旅游驱动的符号再生产转变。数字技术既扩大了传播,又加剧了符号异化。主题分析确定了五个关键主题:仪式简化与文化认同、文化扩张与现代创新、代际差异与传承挑战、商业化与文化适应、数字技术与文化传播。本研究填补了现有的空白,为传统节日的现代发展提供了借鉴。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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