Bilingual Arts Practice, Frameworks and Possibilities

Eileen Keane, Nic An Bhreithiúnaigh
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Abstract

This paper draws together visual arts education and the Irish language reflecting on how they have developed and evolved in the Irish primary school context. Visual arts education and the Irish language have a complex history influenced by the shifting priorities of the Irish education system. This paper explores the residual effects and challenges because of this. This work focuses on bringing together two teacher educators to explore art making through the medium of Irish and English. The collaborators explore the potential of using European frameworks to extend their practice in creating bilingual dialogue space. In doing so this bilingual arts practice between two teacher educators can be seen as a peaceful coexistence, involving translation, negotiation of meaning and oral dialogue where the act of engaging and coming in and out of both languages was ever present in the art making. This work is framed within a collaborative auto ethnographic approach. This paper represents the initial project development stage of an ongoing collaboration.
双语艺术实践,框架和可能性
本文将视觉艺术教育和爱尔兰语结合在一起,反思它们是如何在爱尔兰小学背景下发展和演变的。视觉艺术教育和爱尔兰语有着复杂的历史,受到爱尔兰教育系统优先事项变化的影响。本文探讨了由此产生的残余效应和挑战。这项工作的重点是将两位教师教育家聚集在一起,通过爱尔兰语和英语的媒介来探索艺术创作。合作者探索利用欧洲框架扩展他们在创造双语对话空间方面的实践的潜力。在这样做的过程中,两位教师教育者之间的双语艺术实践可以被视为一种和平共处,包括翻译、意义协商和口头对话,在艺术创作中,两种语言的参与和进出都一直存在。这项工作是在一个协作的汽车人种学方法框架。本文代表了正在进行的合作的初始项目开发阶段。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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