Estimation of harp string inharmonicity influenced by phantom partials.

IF 2.3 2区 物理与天体物理 Q2 ACOUSTICS
Tatjana Miljković, Miloš Bjelić, Jelena Ćertić, Dragana Šumarac Pavlović
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引用次数: 0

Abstract

The pronounced presence of phantom partials in the spectra of harp tones constitutes a considerable challenge to the accurate estimation of the inharmonicity coefficient. Given the importance of the inharmonicity coefficient in tone synthesis and analysis of stringed musical instruments, a precise and automated estimation method is essential across the entire instrument register. To address this, a modification of the partial frequency deviation (PFD) algorithm was proposed, aimed at identifying and excluding phantom partials during inharmonicity estimation. The modified PFD algorithm was evaluated using a set of synthesized signals with systematically varied parameters, as well as a collection of recorded concert harp tones. Experimental results demonstrated that for 64% of real tones, the modified PFD algorithm yielded more accurate inharmonicity coefficient estimates compared to the original PFD algorithm, with improvements reaching up to 88.5% for certain tones. The accuracy of the inharmonicity coefficient estimation was found to depend primarily on the ratio between the number of phantom partials and the total number of partials used for estimation, as well as the spectral position and grouping of these phantom partials.

幻影分音对竖琴弦不和谐度影响的估计。
竖琴音调谱中明显存在的幻部,对准确估计非调和系数构成了相当大的挑战。考虑到非谐波系数在弦乐器音色合成和分析中的重要性,一种精确、自动化的估计方法在整个乐器音域中是必不可少的。为了解决这一问题,提出了一种改进的部分频率偏差(PFD)算法,旨在识别和排除非谐波估计中的幻频偏。使用一组具有系统变化参数的合成信号以及一组录制的音乐会竖琴音调来评估改进的PFD算法。实验结果表明,对于64%的真实音调,改进的PFD算法比原PFD算法获得了更准确的非谐波系数估计,某些音调的改进幅度高达88.5%。研究发现,非调和系数估计的准确性主要取决于用于估计的幽灵部分数与总部分数的比值,以及这些幽灵部分的光谱位置和分组。
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来源期刊
CiteScore
4.60
自引率
16.70%
发文量
1433
审稿时长
4.7 months
期刊介绍: Since 1929 The Journal of the Acoustical Society of America has been the leading source of theoretical and experimental research results in the broad interdisciplinary study of sound. Subject coverage includes: linear and nonlinear acoustics; aeroacoustics, underwater sound and acoustical oceanography; ultrasonics and quantum acoustics; architectural and structural acoustics and vibration; speech, music and noise; psychology and physiology of hearing; engineering acoustics, transduction; bioacoustics, animal bioacoustics.
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