Reverberation cues underlying virtual auditory distance perception for a frontal source.

IF 2.3 2区 物理与天体物理 Q2 ACOUSTICS
Mathieu Lavandier, Luna Prud'homme
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引用次数: 0

Abstract

This study investigated the potential role of temporal, spectral, and binaural room-induced cues for the perception of virtual auditory distance. Listeners judged the perceived distance of a frontal source simulated between 0.5 and 10 m in a room via headphones, with eyes closed in a soundproof booth. All stimuli were equalized in broadband received level. Source signals with different spectra (pink or white noise, speech) were tested. The results indicate similar variations in distance estimates with simulated distance for the three source types. While listeners might have combined different cues for their evaluations, if they were to have used a single cue, the results point to the direct-to-reverberant ratio (DRR) or the spectral balance/centroid. A systematic bias in distance estimates was also observed across source types: Reported distances were on average farthest for pink noise, closer for speech, and closest for white noise. The DRR and spectral balance account reasonably well for the differences between pink and white noises, but not for the differences between speech and noises. Overall, the DRR led to the highest correlation with the distance estimates.

混响提示潜在的虚拟听觉距离知觉的正面源。
本研究探讨了时间线索、频谱线索和双耳房间线索对虚拟听觉距离感知的潜在作用。听众在隔音隔间中闭上眼睛,通过耳机判断房间内模拟的正面源的感知距离在0.5到10米之间。所有刺激在宽频接收水平上均被均衡。测试了不同光谱的源信号(粉红或白噪声、语音)。结果表明,三种源类型的距离估计值与模拟距离的变化相似。虽然听众可能会结合不同的线索进行评估,但如果他们使用单一线索,结果会指向直接混响比(DRR)或频谱平衡/质心。在不同的源类型中也观察到距离估计的系统性偏差:粉红色噪声的平均距离最远,语音的距离更近,白噪声的距离更近。DRR和频谱平衡可以很好地解释粉红噪声和白噪声之间的差异,但不能解释语音和噪声之间的差异。总体而言,DRR与距离估计值的相关性最高。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
4.60
自引率
16.70%
发文量
1433
审稿时长
4.7 months
期刊介绍: Since 1929 The Journal of the Acoustical Society of America has been the leading source of theoretical and experimental research results in the broad interdisciplinary study of sound. Subject coverage includes: linear and nonlinear acoustics; aeroacoustics, underwater sound and acoustical oceanography; ultrasonics and quantum acoustics; architectural and structural acoustics and vibration; speech, music and noise; psychology and physiology of hearing; engineering acoustics, transduction; bioacoustics, animal bioacoustics.
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