{"title":"The flamboyance of things: Handmade material culture in new-wave carnival in New Orleans.","authors":"Briana A Kelly, Martha Radice","doi":"10.1177/13591835251359892","DOIUrl":null,"url":null,"abstract":"<p><p>Carnival in New Orleans is a complex, vibrant field of cultural production that generates a wealth of material culture. In the small-scale, countercultural 'new wave' of carnival 'krewes' or clubs that have proliferated since Hurricane Katrina, that material culture is often handmade. Framed by Daniel Miller's dialectical theory of material culture and drawing on ethnographic fieldwork spanning several carnival seasons, this paper unpacks what is at stake in new-wave carnival's costumes, throws, and floats. We argue that making these objects makes carnival itself: the handmade things shape people's experiences of carnival, generating vivid, memorable interactions and encounters, which they later encapsulate as mementos. In their handmade-ness, carnival-makers not only recognize the effort that people put into the events, but also carnival's sociality and relationality. While Miller emphasizes 'the humility of things,' these things are loud and flamboyant. They nonetheless help illustrate how culture unfolds with and through stuff.</p>","PeriodicalId":46892,"journal":{"name":"Journal of Material Culture","volume":"30 3","pages":"309-326"},"PeriodicalIF":0.9000,"publicationDate":"2025-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC12404522/pdf/","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Material Culture","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/13591835251359892","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"2025/9/1 0:00:00","PubModel":"eCollection","JCR":"Q3","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
引用次数: 0
Abstract
Carnival in New Orleans is a complex, vibrant field of cultural production that generates a wealth of material culture. In the small-scale, countercultural 'new wave' of carnival 'krewes' or clubs that have proliferated since Hurricane Katrina, that material culture is often handmade. Framed by Daniel Miller's dialectical theory of material culture and drawing on ethnographic fieldwork spanning several carnival seasons, this paper unpacks what is at stake in new-wave carnival's costumes, throws, and floats. We argue that making these objects makes carnival itself: the handmade things shape people's experiences of carnival, generating vivid, memorable interactions and encounters, which they later encapsulate as mementos. In their handmade-ness, carnival-makers not only recognize the effort that people put into the events, but also carnival's sociality and relationality. While Miller emphasizes 'the humility of things,' these things are loud and flamboyant. They nonetheless help illustrate how culture unfolds with and through stuff.
期刊介绍:
The Journal of Material Culture is an interdisciplinary journal designed to cater for the increasing interest in material culture studies. It is concerned with the relationship between artefacts and social relations irrespective of time and place and aims to systematically explore the linkage between the construction of social identities and the production and use of culture. The Journal of Material Culture transcends traditional disciplinary and cultural boundaries drawing on a wide range of disciplines including anthropology, archaeology, design studies, history, human geography, museology and ethnography.