Editorial Comment: Performing Minoritarian Care

IF 0.6 3区 艺术学 0 THEATER
Laura Edmondson
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In her analysis of this traumatic evacuation, during which the children experienced a social death to facilitate their rebirth as US citizens, Kim coins the phrase \"militarized care\" to theorize gestures of care within a necropolitical order of US military destruction. The Vietnamese children nestle into mattresses and blankets while the unsmiling white-presenting adult male watches over them as a surrogate of US imperialism and counterinsurgency destruction. This image serves as a powerful reminder of the \"noninnocence\" of care, the labor of which is easily appropriated to buttress and carewash the work of violent regimes.<sup>2</sup></p> <p>The authors in this issue are clear-eyed regarding the threats posed by these regimes as they analyze how performance navigates and confronts white supremacy, neoliberalism and gentrification, authoritarian states, imperialism, and land theft. And yet their work also demonstrates a profound faith in care as a means to counteract these multifaceted forms of violence and harm, not as palliative but as worlding à la Donna Haraway.<sup>3</sup> Through acts of critical imagination grounded in archival and ethnographic research, they locate and theorize worlds limned with the aesthetics and politics of care. They also share a fierce investment in performance as a means of articulating these worlds. As just one example, to return to the image on the front cover, Kim finds promise through the children's sensuous gesture of leaning against the plane and looking out the window, suggesting that the glimpse of the sky allows them to <strong>[End Page ix]</strong> find \"respite between the demanding bounds of departure and arrival.\" Even within the confines of a US militarized plane, radical care percolates and endures as \"a set of vital but underappreciated strategies for enduring precarious worlds,\" to quote Hi'ilei Julia Kawehipuaakahaopulani Hobart (Kānaka Maoli) and Tamara Kneese.<sup>4</sup></p> <p>Significantly, these worlds are minoritarian worlds and thus they offer interventions and strategies that are honed through activism, ancestral knowledge, and aesthetic boldness. In my original call for papers, I asked, \"How to center the radical potential of care while also critiquing its capacities for academic extraction from Black feminist thought, Indigenous studies, disability studies, and queer theory?\" This question speaks to my concern that white settler scholars such as myself would use discourses of care as a means of appropriating radical forms of thought honed through decades of theory, art, and activism. If we follow Christina Sharpe's lead and \"think 'care' as a problem for thought,\" we must also attend to who gets to do (and be cited for) the thinking. Ultimately, though, my concern was unfounded, as these articles collectively mount a sustained challenge to the endemic whiteness of care ethics.<sup>5</sup> They insist that radical care and minoritarian care are mutually constitutive.</p> <p>Una Chaudhuri has observed that care is a form of knowledge that could help ensure our collective survival on this increasingly fragile planet.<sup>6</sup> In that vein, this issue contains a wealth of knowledges that deserve a wide hearing despite our field's lack of representation in care studies. Joan C. Tronto, who along with Berenice Fisher developed a widely cited definition of care as \"a species activity that includes everything that we do to maintain, continue, and repair our 'world' so that we can live in it as well as possible,\" categorically excludes artistic creation from this capacious definition.<sup>7</sup> María Puig de la Bellacasa, whose taxonomy of care as \"labor/work, affect/affections, ethics/politics\" has also been widely influential, touches on questions of performativity and embodiment but stops short of a sustained engagement.<sup>8</sup> More recently, Hobart and Kneese's 2020 special issue of <em>Social Text</em> on radical care, a series of wide-ranging essays that historicize and deepen the explosion of care studies that followed the 2016 US presidential election, does...</p> </p>","PeriodicalId":46247,"journal":{"name":"THEATRE JOURNAL","volume":"817 1","pages":"ix-xviii"},"PeriodicalIF":0.6000,"publicationDate":"2025-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"THEATRE JOURNAL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/tj.2024.a950291","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0

Abstract

In lieu of an abstract, here is a brief excerpt of the content:

  • Editorial Comment:Performing Minoritarian Care
  • Laura Edmondson

I want to think "care" as a problem for thought.

—Christina Sharpe1

The front cover of this special issue on Care, Carework, and Performance features an image from Sung-Min Kim's article on Operation Babylift (1975), a US mission in which over three thousand Vietnamese children were airlifted to the US for adoption during the final weeks of the Vietnam War. In her analysis of this traumatic evacuation, during which the children experienced a social death to facilitate their rebirth as US citizens, Kim coins the phrase "militarized care" to theorize gestures of care within a necropolitical order of US military destruction. The Vietnamese children nestle into mattresses and blankets while the unsmiling white-presenting adult male watches over them as a surrogate of US imperialism and counterinsurgency destruction. This image serves as a powerful reminder of the "noninnocence" of care, the labor of which is easily appropriated to buttress and carewash the work of violent regimes.2

The authors in this issue are clear-eyed regarding the threats posed by these regimes as they analyze how performance navigates and confronts white supremacy, neoliberalism and gentrification, authoritarian states, imperialism, and land theft. And yet their work also demonstrates a profound faith in care as a means to counteract these multifaceted forms of violence and harm, not as palliative but as worlding à la Donna Haraway.3 Through acts of critical imagination grounded in archival and ethnographic research, they locate and theorize worlds limned with the aesthetics and politics of care. They also share a fierce investment in performance as a means of articulating these worlds. As just one example, to return to the image on the front cover, Kim finds promise through the children's sensuous gesture of leaning against the plane and looking out the window, suggesting that the glimpse of the sky allows them to [End Page ix] find "respite between the demanding bounds of departure and arrival." Even within the confines of a US militarized plane, radical care percolates and endures as "a set of vital but underappreciated strategies for enduring precarious worlds," to quote Hi'ilei Julia Kawehipuaakahaopulani Hobart (Kānaka Maoli) and Tamara Kneese.4

Significantly, these worlds are minoritarian worlds and thus they offer interventions and strategies that are honed through activism, ancestral knowledge, and aesthetic boldness. In my original call for papers, I asked, "How to center the radical potential of care while also critiquing its capacities for academic extraction from Black feminist thought, Indigenous studies, disability studies, and queer theory?" This question speaks to my concern that white settler scholars such as myself would use discourses of care as a means of appropriating radical forms of thought honed through decades of theory, art, and activism. If we follow Christina Sharpe's lead and "think 'care' as a problem for thought," we must also attend to who gets to do (and be cited for) the thinking. Ultimately, though, my concern was unfounded, as these articles collectively mount a sustained challenge to the endemic whiteness of care ethics.5 They insist that radical care and minoritarian care are mutually constitutive.

Una Chaudhuri has observed that care is a form of knowledge that could help ensure our collective survival on this increasingly fragile planet.6 In that vein, this issue contains a wealth of knowledges that deserve a wide hearing despite our field's lack of representation in care studies. Joan C. Tronto, who along with Berenice Fisher developed a widely cited definition of care as "a species activity that includes everything that we do to maintain, continue, and repair our 'world' so that we can live in it as well as possible," categorically excludes artistic creation from this capacious definition.7 María Puig de la Bellacasa, whose taxonomy of care as "labor/work, affect/affections, ethics/politics" has also been widely influential, touches on questions of performativity and embodiment but stops short of a sustained engagement.8 More recently, Hobart and Kneese's 2020 special issue of Social Text on radical care, a series of wide-ranging essays that historicize and deepen the explosion of care studies that followed the 2016 US presidential election, does...

社论评论:实行少数民族关怀
这里是内容的一个简短摘录,而不是摘要:编辑评论:执行少数民族关怀劳拉埃德蒙森我想把“关怀”看作是一个思考的问题。-Christina Sharpe1本期《关怀、照顾和表现》特刊的封面上,刊登了金成民关于“救婴行动”(1975年)的文章中的一张图片。在越战的最后几周,美国将三千多名越南儿童空运到美国供人收养。在她对这次创伤性撤离的分析中,在此期间,孩子们经历了社会死亡,以促进他们作为美国公民的重生,Kim创造了“军事化护理”这个短语,将美国军事破坏的死亡政治秩序中的护理姿态理论化。越南的孩子们依偎在床垫和毯子里,而冷漠的白人成年男子看着他们,作为美帝国主义和反叛乱破坏的代理人。这张照片有力地提醒人们,护理是“非无辜的”,这种劳动很容易被用来支持和清洗暴力政权的工作本期的作者们对这些政权所带来的威胁有着清晰的认识,他们分析了表演如何驾驭和面对白人至上主义、新自由主义和士绅化、威权国家、帝国主义和土地盗窃。然而,他们的工作也表明了一种深刻的信念,即把关怀作为一种手段来对抗这些多方面的暴力和伤害,而不是作为一种缓和手段,而是作为一种世界性的手段(唐娜·哈拉威)。3通过基于档案和民族志研究的批判性想象行为,他们定位并理论化了关怀的美学和政治所界定的世界。他们还在表演上投入了大量资金,作为表达这些世界的一种手段。举个例子,回到封面上的图片,Kim通过孩子们靠在飞机上向窗外看的感官姿势找到了希望,这表明对天空的一瞥让他们找到了“在出发和到达的界限之间的喘息”。引用Hi'ilei Julia Kawehipuaakahaopulani Hobart (Kānaka Maoli)和Tamara kneese的话说,即使在美国军事飞机的范围内,激进关怀也渗透并延续为“一套至关重要但未被重视的策略,以维持不稳定的世界”。4重要的是,这些世界是少数民族的世界,因此它们提供的干预和策略是通过激进主义、祖传知识和审美大胆来磨光的。在我最初的论文征集中,我问道:“如何将关怀的激进潜力集中起来,同时又批评它从黑人女权主义思想、土著研究、残疾研究和酷儿理论中提取学术精华的能力?”这个问题引起了我的担忧,即像我这样的白人移民学者会把关怀的话语作为一种手段,挪用经过几十年理论、艺术和行动主义磨练的激进思想形式。如果我们跟随克里斯蒂娜·夏普的领导,“把‘关怀’看作一个需要思考的问题”,我们还必须注意谁来做(并被引用)思考。然而,最终,我的担心是没有根据的,因为这些文章共同对护理伦理的地方性白化提出了持续的挑战他们坚持激进关怀和少数关怀是相互构成的。乌纳·乔杜里观察到,关怀是一种知识形式,可以帮助确保我们在这个日益脆弱的星球上共同生存在这种情况下,尽管我们的领域在护理研究中缺乏代表性,但这个问题包含了丰富的知识,值得广泛听取。琼·c·特伦托(Joan C. Tronto)与贝蕾妮丝·费雪(Berenice Fisher)共同提出了一个被广泛引用的关怀定义:“一种物种活动,包括我们为维持、延续和修复我们的‘世界’而做的一切,以便我们能够尽可能地生活在其中。”她断然将艺术创作排除在这个宽泛的定义之外María Puig de la Bellacasa,他的护理分类为“劳动/工作,影响/情感,伦理/政治”,也有广泛的影响力,触及了表演和具体化的问题,但没有持续的参与最近,霍巴特和克内斯2020年关于激进护理的社会文本特刊,一系列广泛的文章,将2016年美国总统大选后护理研究的爆炸式增长历史化并深化,确实……
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来源期刊
THEATRE JOURNAL
THEATRE JOURNAL THEATER-
CiteScore
0.40
自引率
40.00%
发文量
87
期刊介绍: For over five decades, Theatre Journal"s broad array of scholarly articles and reviews has earned it an international reputation as one of the most authoritative and useful publications of theatre studies available today. Drawing contributions from noted practitioners and scholars, Theatre Journal features social and historical studies, production reviews, and theoretical inquiries that analyze dramatic texts and production.
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