{"title":"Beyond the visuals: Sri Lankan stamp designers personalized approach in postage stamp design","authors":"Dulshan Ellawela, Sumith Gopura, Ayesha Wickramasinghe, Tiziana Ferrero-Regis","doi":"10.1016/j.destud.2025.101332","DOIUrl":null,"url":null,"abstract":"<div><div>Postage stamps are significant visual artefacts that represent culture and identity. The illustrations on stamps frequently embody diverse approaches to narrating cultural heritage and historical narratives. Sri Lankan designers' lifeworlds - backgrounds, education, and experiences intrinsically shape these approaches. Through an inductive analysis of semi-structured interviews with six designers, this study identifies key themes, including background, mentorship, and the interaction between formal and informal education, and experiential learning in shaping their creative processes in stamp design. Further to the findings anchored in the Concept-Knowledge (C–K) Theory, the study highlights a framework for interpreting the Design Learning and Thinking in stamp design, offering valuable insights into how designers from diverse backgrounds negotiate personal and cultural identity in their creative endeavours.</div></div>","PeriodicalId":50593,"journal":{"name":"Design Studies","volume":"99 ","pages":"Article 101332"},"PeriodicalIF":3.2000,"publicationDate":"2025-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Design Studies","FirstCategoryId":"5","ListUrlMain":"https://www.sciencedirect.com/science/article/pii/S0142694X25000444","RegionNum":1,"RegionCategory":"工程技术","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"ENGINEERING, MANUFACTURING","Score":null,"Total":0}
引用次数: 0
Abstract
Postage stamps are significant visual artefacts that represent culture and identity. The illustrations on stamps frequently embody diverse approaches to narrating cultural heritage and historical narratives. Sri Lankan designers' lifeworlds - backgrounds, education, and experiences intrinsically shape these approaches. Through an inductive analysis of semi-structured interviews with six designers, this study identifies key themes, including background, mentorship, and the interaction between formal and informal education, and experiential learning in shaping their creative processes in stamp design. Further to the findings anchored in the Concept-Knowledge (C–K) Theory, the study highlights a framework for interpreting the Design Learning and Thinking in stamp design, offering valuable insights into how designers from diverse backgrounds negotiate personal and cultural identity in their creative endeavours.
期刊介绍:
Design Studies is a leading international academic journal focused on developing understanding of design processes. It studies design activity across all domains of application, including engineering and product design, architectural and urban design, computer artefacts and systems design. It therefore provides an interdisciplinary forum for the analysis, development and discussion of fundamental aspects of design activity, from cognition and methodology to values and philosophy.
Design Studies publishes work that is concerned with the process of designing, and is relevant to a broad audience of researchers, teachers and practitioners. We welcome original, scientific and scholarly research papers reporting studies concerned with the process of designing in all its many fields, or furthering the development and application of new knowledge relating to design process. Papers should be written to be intelligible and pertinent to a wide range of readership across different design domains. To be relevant for this journal, a paper has to offer something that gives new insight into or knowledge about the design process, or assists new development of the processes of designing.