Generative artificial intelligence is not a mere tool: Revisiting Indonesian Copyright Law

IF 0.7 Q2 LAW
Ghazali Hasan Nasakti, Rianda Dirkareshza
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Abstract

Generative artificial intelligence (GAI) is capable of creating original works with such a remarkable degree of autonomy that it makes no sense to be considered or analogized to traditional technologies that are merely used by humans. The human who provides the initial input (prompt) to the GAI does not make sense to be considered as the author of the GAI's self-created works. The internal characteristics of GAI that enable it to create its own works and the works per se challenge the four prevailing justifications in Indonesian Copyright Law: the biological humans, the idea-expression dichotomy, the Hegelian, and the Lockean justifications. This research finds the problem that there is a legal vacuum in the copyright regime in Indonesia regarding the legal status of GAI's self- created works. The research uses normative legal research method; with theoretical, symbolic logic legal interpretation––which assists in logical modeling of new legal provisions, comparative law, and conceptual approaches; this research aims to answer the legal lacuna which can be addressed with the proposed solution of placing GAI's self-created works as sui generis and should be put into the public domain with attribution given to GAI which is logically coherent, efficient, and in line with existing justifications and principles of copyright. However, this research also found that the Indonesian copyright regime itself does not formally acknowledge the concept of public domain, which complicates it compared to the United States Copyright Law, hence the urgency to revise it by adopting and adding a concrete formulation of public domain––as elaborated in this article––which is different from public domain in the informal sense, and then adding the formulation of attribution provisions to GAI.

生成式人工智能不仅仅是一种工具:重新审视印尼版权法
生成式人工智能(GAI)能够创造出具有高度自主性的原创作品,因此将其与仅由人类使用的传统技术相提并论是没有意义的。向GAI提供初始输入(提示)的人不应该被视为GAI自创作品的作者。GAI的内部特征使其能够创作自己的作品,作品本身挑战了印度尼西亚版权法中流行的四种理由:生物人类,思想-表达二分法,黑格尔主义和洛克主义。本研究发现,在印尼的版权制度中,关于GAI自创作品的法律地位存在法律真空。本研究采用规范法学研究方法;与理论,符号逻辑法律解释-这有助于新的法律条款,比较法和概念方法的逻辑建模;本研究旨在回答法律上的空白,这可以通过提出的解决方案来解决,即将GAI的自创作品作为自创作品,并将其归入公共领域,并赋予GAI所有权,这在逻辑上是连贯的,有效的,并且符合现有的理由和版权原则。然而,本研究还发现,印度尼西亚版权制度本身并没有正式承认公共领域的概念,这与美国版权法相比使其复杂化,因此迫切需要通过采用和添加公共领域的具体表述(如本文所述)来修改它,这与非正式意义上的公共领域不同,然后将归属条款的表述添加到GAI中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.50
自引率
0.00%
发文量
43
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