Mayke Wagner , Moa Hallgren-Brekenkamp , Katrin Dilßner , Zhiyong Yu , Wenying Li , Xiaojing Kang , Xiaocheng Chen , Patrick Wertmann , Dominic Hosner , Carol James , Evelyn Sitter , Irina I. Elkina , Tengwen Long , Aleksandra I. Krikunova , Cataria Fahrendholz , Ariane C. Michaelis , Pavel E. Tarasov
{"title":"Lady in wool and silk: 2000-year-old fashion from the Niya River oasis in the southern Tarim Basin, China","authors":"Mayke Wagner , Moa Hallgren-Brekenkamp , Katrin Dilßner , Zhiyong Yu , Wenying Li , Xiaojing Kang , Xiaocheng Chen , Patrick Wertmann , Dominic Hosner , Carol James , Evelyn Sitter , Irina I. Elkina , Tengwen Long , Aleksandra I. Krikunova , Cataria Fahrendholz , Ariane C. Michaelis , Pavel E. Tarasov","doi":"10.1016/j.ara.2025.100622","DOIUrl":null,"url":null,"abstract":"<div><div>Wool and silk are regarded as hallmarks of distinctly separate climates and environments, textile and tailoring crafts, social status and fashion regions. Wool was the domestic material for clothing in the Tarim Basin when silk became widely available some 2000 years ago. The multi-layered garment of a young woman discovered by a Sino-Japanese team in 1995 in tomb 95MN1M5 at the Niya site consists of both materials and shows an astonishing variety of textile and garment construction techniques. The outfit was thoroughly analysed and the results were validated by reproducing the entire costume, consisting of a robe, tunic dress, wrap skirt, blouse, loose trousers gathered round the ankle (bloomers), socks, shoes, and a girdle. These items represent three sets of garments belonging to different vestment traditions. The trouser-tunic suit resembles Parthian fashion, comparable to the pictorial art in Dura Europos, Palmyra and Noyon Uul (Noin-ula). The silk robe is reminiscent of Han fashion comparable to finds from Mawangdui (Hunan) and Mashan (Hubei), but with the addition of a wool fleece padded ruffle at the hem to change the silhouette from a tight fit to a loose conical shape. The blouse-skirt suit resembles local wool fashion from the Tarim Basin, but in silk. Insets of multicoloured floral tapestry bands framed by colour shading in the trousers and shoes belong to a family of closely related textile designs that were highly valued between the Mediterranean and Central Asia in the 1st–4th centuries CE. Direct radiocarbon dating places the burial between 60 and 130 CE, during the ‘First Silk Road Era’. Despite the seemingly archaic nature of the burial, in a tree trunk and wrapped in a felt blanket, the young woman's outfit is evidence of the most skilful recombination of elements from different fashion traditions to create something new, at once cosmopolitan, local and individual.</div></div>","PeriodicalId":51847,"journal":{"name":"Archaeological Research in Asia","volume":"43 ","pages":"Article 100622"},"PeriodicalIF":0.9000,"publicationDate":"2025-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Archaeological Research in Asia","FirstCategoryId":"1085","ListUrlMain":"https://www.sciencedirect.com/science/article/pii/S2352226725000327","RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
引用次数: 0
Abstract
Wool and silk are regarded as hallmarks of distinctly separate climates and environments, textile and tailoring crafts, social status and fashion regions. Wool was the domestic material for clothing in the Tarim Basin when silk became widely available some 2000 years ago. The multi-layered garment of a young woman discovered by a Sino-Japanese team in 1995 in tomb 95MN1M5 at the Niya site consists of both materials and shows an astonishing variety of textile and garment construction techniques. The outfit was thoroughly analysed and the results were validated by reproducing the entire costume, consisting of a robe, tunic dress, wrap skirt, blouse, loose trousers gathered round the ankle (bloomers), socks, shoes, and a girdle. These items represent three sets of garments belonging to different vestment traditions. The trouser-tunic suit resembles Parthian fashion, comparable to the pictorial art in Dura Europos, Palmyra and Noyon Uul (Noin-ula). The silk robe is reminiscent of Han fashion comparable to finds from Mawangdui (Hunan) and Mashan (Hubei), but with the addition of a wool fleece padded ruffle at the hem to change the silhouette from a tight fit to a loose conical shape. The blouse-skirt suit resembles local wool fashion from the Tarim Basin, but in silk. Insets of multicoloured floral tapestry bands framed by colour shading in the trousers and shoes belong to a family of closely related textile designs that were highly valued between the Mediterranean and Central Asia in the 1st–4th centuries CE. Direct radiocarbon dating places the burial between 60 and 130 CE, during the ‘First Silk Road Era’. Despite the seemingly archaic nature of the burial, in a tree trunk and wrapped in a felt blanket, the young woman's outfit is evidence of the most skilful recombination of elements from different fashion traditions to create something new, at once cosmopolitan, local and individual.
期刊介绍:
Archaeological Research in Asia presents high quality scholarly research conducted in between the Bosporus and the Pacific on a broad range of archaeological subjects of importance to audiences across Asia and around the world. The journal covers the traditional components of archaeology: placing events and patterns in time and space; analysis of past lifeways; and explanations for cultural processes and change. To this end, the publication will highlight theoretical and methodological advances in studying the past, present new data, and detail patterns that reshape our understanding of it. Archaeological Research in Asia publishes work on the full temporal range of archaeological inquiry from the earliest human presence in Asia with a special emphasis on time periods under-represented in other venues. Journal contributions are of three kinds: articles, case reports and short communications. Full length articles should present synthetic treatments, novel analyses, or theoretical approaches to unresolved issues. Case reports present basic data on subjects that are of broad interest because they represent key sites, sequences, and subjects that figure prominently, or should figure prominently, in how scholars both inside and outside Asia understand the archaeology of cultural and biological change through time. Short communications present new findings (e.g., radiocarbon dates) that are important to the extent that they reaffirm or change the way scholars in Asia and around the world think about Asian cultural or biological history.