Unveiling Implicit Collective Memory: Images of Ukraine in Dmitrij Kapitelman's Novel Eine Formalie in Kiew.

IF 0.1 3区文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN

OXFORD GERMAN STUDIES Pub Date : 2025-03-26 eCollection Date: 2024-01-01 DOI:10.1080/00787191.2024.2437873

Aigi Heero

引用次数: 0

Abstract

In the exploration of Dmitrij Kapitelman's novel Eine Formalie in Kiew, this article focuses on issues of identity, memory, and perception through an analysis of the protagonist Dima's journey. It examines the evolution of Dima's perspectives on Ukraine, revealing a transformation from a blend of German and post-Soviet viewpoints to a nuanced fusion of perceptions. Thereby, the study discusses the implicit collective memory as described by Astrid Erll, embedded in societal thought patterns and its influence on personal perspectives.

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揭开隐性集体记忆的面纱：Dmitrij Kapitelman 的小说《Eine Formalie in Kiew》中的乌克兰形象。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

OXFORD GERMAN STUDIES LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-

CiteScore

0.10

自引率

50.00%

发文量

期刊介绍： Oxford German Studies is a fully refereed journal, and publishes in English and German, aiming to present contributions from all countries and to represent as wide a range of topics and approaches throughout German studies as can be achieved. The thematic coverage of the journal continues to be based on an inclusive conception of German studies, centred on the study of German literature from the Middle Ages to the present, but extending a warm welcome to interdisciplinary and comparative topics, and to contributions from neighbouring areas such as language study and linguistics, history, philosophy, sociology, music, and art history. The editors are literary scholars, but seek advice from specialists in other areas as appropriate.