Irene Amerini, Mauro Barni, Sebastiano Battiato, Paolo Bestagini, Giulia Boato, Vittoria Bruni, Roberto Caldelli, Francesco De Natale, Rocco De Nicola, Luca Guarnera, Sara Mandelli, Taiba Majid, Gian Luca Marcialis, Marco Micheletto, Andrea Montibeller, Giulia Orrù, Alessandro Ortis, Pericle Perazzo, Giovanni Puglisi, Nischay Purnekar, Davide Salvi, Stefano Tubaro, Massimo Villari, Domenico Vitulano
{"title":"Deepfake Media Forensics: Status and Future Challenges.","authors":"Irene Amerini, Mauro Barni, Sebastiano Battiato, Paolo Bestagini, Giulia Boato, Vittoria Bruni, Roberto Caldelli, Francesco De Natale, Rocco De Nicola, Luca Guarnera, Sara Mandelli, Taiba Majid, Gian Luca Marcialis, Marco Micheletto, Andrea Montibeller, Giulia Orrù, Alessandro Ortis, Pericle Perazzo, Giovanni Puglisi, Nischay Purnekar, Davide Salvi, Stefano Tubaro, Massimo Villari, Domenico Vitulano","doi":"10.3390/jimaging11030073","DOIUrl":null,"url":null,"abstract":"<p><p>The rise of AI-generated synthetic media, or deepfakes, has introduced unprecedented opportunities and challenges across various fields, including entertainment, cybersecurity, and digital communication. Using advanced frameworks such as Generative Adversarial Networks (GANs) and Diffusion Models (DMs), deepfakes are capable of producing highly realistic yet fabricated content, while these advancements enable creative and innovative applications, they also pose severe ethical, social, and security risks due to their potential misuse. The proliferation of deepfakes has triggered phenomena like \"Impostor Bias\", a growing skepticism toward the authenticity of multimedia content, further complicating trust in digital interactions. This paper is mainly based on the description of a research project called FF4ALL (FF4ALL-Detection of Deep Fake Media and Life-Long Media Authentication) for the detection and authentication of deepfakes, focusing on areas such as forensic attribution, passive and active authentication, and detection in real-world scenarios. By exploring both the strengths and limitations of current methodologies, we highlight critical research gaps and propose directions for future advancements to ensure media integrity and trustworthiness in an era increasingly dominated by synthetic media.</p>","PeriodicalId":37035,"journal":{"name":"Journal of Imaging","volume":"11 3","pages":""},"PeriodicalIF":2.7000,"publicationDate":"2025-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC11943306/pdf/","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Imaging","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3390/jimaging11030073","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"IMAGING SCIENCE & PHOTOGRAPHIC TECHNOLOGY","Score":null,"Total":0}
引用次数: 0
Abstract
The rise of AI-generated synthetic media, or deepfakes, has introduced unprecedented opportunities and challenges across various fields, including entertainment, cybersecurity, and digital communication. Using advanced frameworks such as Generative Adversarial Networks (GANs) and Diffusion Models (DMs), deepfakes are capable of producing highly realistic yet fabricated content, while these advancements enable creative and innovative applications, they also pose severe ethical, social, and security risks due to their potential misuse. The proliferation of deepfakes has triggered phenomena like "Impostor Bias", a growing skepticism toward the authenticity of multimedia content, further complicating trust in digital interactions. This paper is mainly based on the description of a research project called FF4ALL (FF4ALL-Detection of Deep Fake Media and Life-Long Media Authentication) for the detection and authentication of deepfakes, focusing on areas such as forensic attribution, passive and active authentication, and detection in real-world scenarios. By exploring both the strengths and limitations of current methodologies, we highlight critical research gaps and propose directions for future advancements to ensure media integrity and trustworthiness in an era increasingly dominated by synthetic media.