Des rêveurs en leur « rêvoir » : pour une histoire conceptuelle des rêves et de l’appareil psychique

P.-H. Castel
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Abstract

Background

In the theoretical landscape of psychoanalysis today, the threefold link between dreams/dream interpretation/‘psychic apparatus’ (i.e. the metapsychological synthesis of their mutual relations) appears to be completely fragmented. Each school has its own, or relies on an ad hoc reading of the Traumdeutung, or refuses entirely to justify itself on these grounds. To such an extent that the dream has ceased to be the via regia to the unconscious, but more often a place to apply metapsychological formulae drawn from elsewhere (child psychoanalysis, psychoses, etc.).

Objective

This essay aims, on the contrary, to weave together at least one red thread in the historical development of psychoanalysis, up to its so-called ‘contemporary’ form (Winnicotto-Bionian), by exploring, as a working hypothesis, a sequence of key episodes in this development. It passes through Ferenczi, M. Klein, E. Sharpe, Meltzer, Lacan and Bion. It ends with Bollas, Ferro and Ogden.

Method

An undertaking of this kind is a matter of conceptual history. It therefore combines epistemological criticism with an examination of the concrete historical conditions in which concepts have been used, as a function of clinical practice. It highlights the growing interpretive conflicts between the various possible readings of the final chapter of the Traumdeutung, while attempting to detect a certain dialectical logic, which does not render the final contradictions absolutely irredeemable.

Results-Interpretation

This history yields two results: it highlights the importance of the problems posed by borderline states in post-Freudian dream theories. But it also stresses the unresolved uncertainty that affects their recent developments, because by distancing itself from the original mechanistic model, the psychic apparatus postulated by contemporary versions of psychoanalysis remains suspended in an interpsychic ‘space’ whose contours are difficult to grasp, and because it has ceased to be interested in the deciphering of dreams. Finally, the limitations of this argument, linked to a very limited selection of authors and points of view in the history of psychoanalysis, are recalled.
梦想家的“梦”:关于梦和精神机器的概念性历史
在当今精神分析的理论图景中,梦/梦解释/“精神器官”(即它们相互关系的元心理学综合)之间的三重联系似乎完全支离破碎。每个学派都有自己的观点,或者依赖于对《创伤论》的特别解读,或者完全拒绝在这些基础上为自己辩护。在某种程度上,梦已经不再是通往无意识的王道,而更多的是应用从别处(儿童精神分析、精神病等)汲取的元心理学公式的地方。相反,这篇文章的目的是,通过探索,作为一个有效的假设,在精神分析的历史发展中,至少编织出一条红线,直到它所谓的“当代”形式(温尼科托-比奥尼)。它经过了费伦齐、克莱因、夏普、梅尔泽、拉康和比昂。最后是波拉斯,费罗和奥格登。这类工作是一个概念历史问题。因此,它将认识论批评与对概念被使用的具体历史条件的检查结合起来,作为临床实践的功能。它强调了对《创伤论》最后一章的各种可能解读之间日益增长的解释冲突,同时试图发现某种辩证逻辑,这种逻辑不会使最后的矛盾绝对不可挽回。结果-解释这段历史产生了两个结果:它突出了后弗洛伊德梦理论中边缘状态所带来的问题的重要性。但它也强调了未解决的不确定性,这影响了他们最近的发展,因为通过与最初的机械模型的距离,当代版本的精神分析假设的精神装置仍然悬浮在一个难以掌握轮廓的精神间“空间”中,因为它已经停止对梦的破译感兴趣。最后,这一论点的局限性,与精神分析史上非常有限的作者和观点的选择有关,被回顾。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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