{"title":"A postcolonial feminist representation of motherhood in recent Bollywood sports movies","authors":"Sushree Routray, Rashmi Gaur","doi":"10.1016/j.wsif.2025.103062","DOIUrl":null,"url":null,"abstract":"<div><div>Contemporary Bollywood sports dramas grapple with the tension between cultural expectations of motherhood and the aspirations of women sportspersons. These narratives challenge biological determinism and societal pressures defining a ‘good’ mother as they strive to carve their individual identities. Amidst neoliberal expectations of intensive motherhood and helicopter parenting, these athletes navigate maternal guilt and ambivalence as they attempt comebacks, often burdened by anxieties about their children. Shaped by a confluence of cultural stereotypes, mythical narratives, and gendered nationalist discourses, maternal figures in Indian society are often reified, obscuring the complexities of their gendered being within a society steeped in patriarchy. Exemplary sports films such as <em>Mary Kom</em> (2014), <em>Saand Ki Aankh</em> (2019), and <em>Panga</em> (2020) represent the lived experiences of women athletes navigating a conflicting landscape where marriage and motherhood are often perceived as the ultimate biological destiny for women. The clash between the roles of mother and athlete unfolds as a narrative tension, where traditional femininity embodies passivity and dependence, while sport champions autonomy and assertiveness, inevitably leading to what Helen Lenskyj terms ‘role conflict’. Caught between selflessness and selfishness, anxiety and ambivalence, these women athletes refuse to conform to the male gaze, rejecting patriarchal expectations of self-sacrificing mothers, dutiful daughters, and unconditionally supportive wives. This paper employs a postcolonial feminist narrative to examine Bollywood films, revealing how seemingly individual choices by sportswomen are situated within broader social hierarchies and power structures. By examining the impact of family support and marital connections on athletes' subjective experiences, this study also questions the gendered narratives of postcolonial sports movies, unravelling their capacity to surpass conventional prejudices against women sportspersons in India.</div></div>","PeriodicalId":47940,"journal":{"name":"Womens Studies International Forum","volume":"109 ","pages":"Article 103062"},"PeriodicalIF":1.5000,"publicationDate":"2025-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Womens Studies International Forum","FirstCategoryId":"90","ListUrlMain":"https://www.sciencedirect.com/science/article/pii/S0277539525000111","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"WOMENS STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
Contemporary Bollywood sports dramas grapple with the tension between cultural expectations of motherhood and the aspirations of women sportspersons. These narratives challenge biological determinism and societal pressures defining a ‘good’ mother as they strive to carve their individual identities. Amidst neoliberal expectations of intensive motherhood and helicopter parenting, these athletes navigate maternal guilt and ambivalence as they attempt comebacks, often burdened by anxieties about their children. Shaped by a confluence of cultural stereotypes, mythical narratives, and gendered nationalist discourses, maternal figures in Indian society are often reified, obscuring the complexities of their gendered being within a society steeped in patriarchy. Exemplary sports films such as Mary Kom (2014), Saand Ki Aankh (2019), and Panga (2020) represent the lived experiences of women athletes navigating a conflicting landscape where marriage and motherhood are often perceived as the ultimate biological destiny for women. The clash between the roles of mother and athlete unfolds as a narrative tension, where traditional femininity embodies passivity and dependence, while sport champions autonomy and assertiveness, inevitably leading to what Helen Lenskyj terms ‘role conflict’. Caught between selflessness and selfishness, anxiety and ambivalence, these women athletes refuse to conform to the male gaze, rejecting patriarchal expectations of self-sacrificing mothers, dutiful daughters, and unconditionally supportive wives. This paper employs a postcolonial feminist narrative to examine Bollywood films, revealing how seemingly individual choices by sportswomen are situated within broader social hierarchies and power structures. By examining the impact of family support and marital connections on athletes' subjective experiences, this study also questions the gendered narratives of postcolonial sports movies, unravelling their capacity to surpass conventional prejudices against women sportspersons in India.
期刊介绍:
Women"s Studies International Forum (formerly Women"s Studies International Quarterly, established in 1978) is a bimonthly journal to aid the distribution and exchange of feminist research in the multidisciplinary, international area of women"s studies and in feminist research in other disciplines. The policy of the journal is to establish a feminist forum for discussion and debate. The journal seeks to critique and reconceptualize existing knowledge, to examine and re-evaluate the manner in which knowledge is produced and distributed, and to assess the implications this has for women"s lives.