Gerardo Roa Dabike, Trevor J Cox, Alex J Miller, Bruno M Fazenda, Simone Graetzer, Rebecca R Vos, Michael A Akeroyd, Jennifer Firth, William M Whitmer, Scott Bannister, Alinka Greasley, Jon P Barker
{"title":"The cadenza woodwind dataset: Synthesised quartets for music information retrieval and machine learning.","authors":"Gerardo Roa Dabike, Trevor J Cox, Alex J Miller, Bruno M Fazenda, Simone Graetzer, Rebecca R Vos, Michael A Akeroyd, Jennifer Firth, William M Whitmer, Scott Bannister, Alinka Greasley, Jon P Barker","doi":"10.1016/j.dib.2024.111199","DOIUrl":null,"url":null,"abstract":"<p><p>This paper presents the Cadenza Woodwind Dataset. This publicly available data is synthesised audio for woodwind quartets including renderings of each instrument in isolation. The data was created to be used as training data within Cadenza's second open machine learning challenge (CAD2) for the task on rebalancing classical music ensembles. The dataset is also intended for developing other music information retrieval (MIR) algorithms using machine learning. It was created because of the lack of large-scale datasets of classical woodwind music with separate audio for each instrument and permissive license for reuse. Music scores were selected from the OpenScore String Quartet corpus. These were rendered for two woodwind ensembles of (i) flute, oboe, clarinet and bassoon; and (ii) flute, oboe, alto saxophone and bassoon. This was done by a professional music producer using industry-standard software. Virtual instruments were used to create the audio for each instrument using software that interpreted expression markings in the score. Convolution reverberation was used to simulate a performance space and the ensembles mixed. The dataset consists of the audio and associated metadata.</p>","PeriodicalId":10973,"journal":{"name":"Data in Brief","volume":"57 ","pages":"111199"},"PeriodicalIF":1.0000,"publicationDate":"2024-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC11683209/pdf/","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Data in Brief","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1016/j.dib.2024.111199","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"2024/12/1 0:00:00","PubModel":"eCollection","JCR":"Q3","JCRName":"MULTIDISCIPLINARY SCIENCES","Score":null,"Total":0}
引用次数: 0
Abstract
This paper presents the Cadenza Woodwind Dataset. This publicly available data is synthesised audio for woodwind quartets including renderings of each instrument in isolation. The data was created to be used as training data within Cadenza's second open machine learning challenge (CAD2) for the task on rebalancing classical music ensembles. The dataset is also intended for developing other music information retrieval (MIR) algorithms using machine learning. It was created because of the lack of large-scale datasets of classical woodwind music with separate audio for each instrument and permissive license for reuse. Music scores were selected from the OpenScore String Quartet corpus. These were rendered for two woodwind ensembles of (i) flute, oboe, clarinet and bassoon; and (ii) flute, oboe, alto saxophone and bassoon. This was done by a professional music producer using industry-standard software. Virtual instruments were used to create the audio for each instrument using software that interpreted expression markings in the score. Convolution reverberation was used to simulate a performance space and the ensembles mixed. The dataset consists of the audio and associated metadata.
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