“De eso no se habla”: the complexities of representation in Love, Victor

IF 1.1 2区文学 Q3 COMMUNICATION

Critical Studies in Media Communication Pub Date : 2024-09-11 DOI:10.1080/15295036.2024.2393259

Camille Ruiz Mangual

引用次数: 0

Abstract

This article examines the Hulu/Disney+ dramedy, Love, Victor (2020–2022), highlighting its initial problematic and racist conflation of race/ethnicity and culture/religion to depict people of color...

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"De eso no se habla"：《爱，维克多》中表象的复杂性

本文探讨了 Hulu/Disney+ 的剧情片《爱，维克多》（2020-2022 年），强调了该片最初将种族/民族与文化/宗教混为一谈来描述有色人种的问题和种族主义。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Critical Studies in Media Communication COMMUNICATION-

CiteScore

2.10

自引率

0.00%

发文量

期刊介绍： Critical Studies in Media Communication (CSMC) is a peer-reviewed publication of the National Communication Association. CSMC publishes original scholarship in mediated and mass communication from a cultural studies and/or critical perspective. It particularly welcomes submissions that enrich debates among various critical traditions, methodological and analytical approaches, and theoretical standpoints. CSMC takes an inclusive view of media and welcomes scholarship on topics such as • media audiences • representations • institutions • digital technologies • social media • gaming • professional practices and ethics • production studies • media history • political economy. CSMC publishes scholarship about media audiences, representations, institutions, technologies, and professional practices. It includes work in history, political economy, critical philosophy, race and feminist theorizing, rhetorical and media criticism, and literary theory. It takes an inclusive view of media, including newspapers, magazines and other forms of print, cable, radio, television, film, and new media technologies such as the Internet.