FORM: Anthropology as design

IF 0.5 3区 社会学 Q3 ANTHROPOLOGY
Victoria Baskin Coffey, Jennifer Deger
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引用次数: 0

Abstract

This essay argues for design as an expression of analytic rigour and ethical commitment. It explores what it might mean to ‘write’ in collaboration with the entities and forces from Country, ancestors, oceans, soil, honeyeaters, sound, wild bores, frogs, fire, ash, sand, trees, and echoes, to colour, code, bitrates, cameras, computers, and archives. Every design decision in ‘Epistemic attunements’ was conceptually-motivated and informed by an anthropologically-attuned sensibilty. It was never simply a case of making things look ‘beautiful’. The analytic force of the design propelled our intermedial arguments forward, but also sideways, down through layers, into shifts of sensation and abrupt moments of pause for specific critical effect.

FORM:作为设计的人类学
这篇文章认为,设计是严谨分析和道德承诺的体现。文章探讨了与各种实体和力量合作进行 "写作 "的意义,这些实体和力量包括:国家、祖先、海洋、土壤、食蜜者、声音、野孔、青蛙、火、灰烬、沙子、树木和回声,以及颜色、代码、比特率、照相机、计算机和档案。认识调适 "中的每一个设计决定都从概念出发,以人类学调适的感觉为依据。这绝不是简单地把东西做得 "漂亮"。设计的分析力推动我们的跨媒体论证向前发展,同时也向侧面发展,通过层层向下,进入感觉的转变和突然的停顿,以达到特定的批判效果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.50
自引率
12.50%
发文量
38
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