Ethos of Yajña Ritual: Mapping Girish Karnad's The Fire and the Rain

Abstract

Abstract:

This article maps the ethos of the yajña ritual, sacrificial worship intended to enhance both the person and the community, in Girish Karnad’s The Fire and the Rain (2011). It explores the yajña ritual on both physical and mental levels through the mythological tales. Using the Yavakri story from the Mahabharata, the play portrays the physical yajña as a seven-year ritual, in which one prays to Lord Indra to grant rain to a dry land for ten years. Following the tale of Indra and Vritra, the yajña rite is also carried out in the mythological narration Garbha Nataka, which serves as a kind of mental yajña, giving people a place to reflect on their transgressions and attempt to make penance by sacrificing their interests in the service of the greater good. The crux of both myths is a yajña. The myths are incomplete without a yajña, and so is their professed path from the external yajña process to the internal yajña.