‘I AM A TEXTURAL COMPOSER’: JANE STANLEY ON THE CREATIVE PROCESS, IMMERSIVE TEXTURES, GLOW AND A NEW SONG CYCLE

IF 0.5 4区 艺术学 0 MUSIC
Tempo Pub Date : 2024-08-28 DOI:10.1017/s0040298224000020
Jane Stanley, Judith Bishop
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引用次数: 0

Abstract

This is the transcript of an interview with Glasgow-based Australian composer Dr Jane Stanley. The interviewer is Dr Judith Bishop, an Australian poet and lyricist whose words appear in two of the works discussed: ‘14 Weeks’ (from Interval (UQP, 2018) and ‘The Indifferent’ (from Event (Salt Publishing UK, 2007)). The interview was recorded at the University of Glasgow on 29 May 2023 and edited for clarity, length and concision. It was recorded a day after the world premiere of Jane Stanley's 14 Weeks at the Glasgow School of Art Choir Composeher concert in City Halls, Glasgow. In response to a recent survey which revealed huge gender inequalities in the granting of music commissions, Composeher had commissioned seven female composers to write choral works of around ten minutes, of which 14 Weeks was one. The interview ranges widely, from the composer's textural style to her creative process, and touches on her forthcoming composer portrait album, to be released by Delphian Records in 2024.
我是一位质感作曲家简-斯坦利谈创作过程、身临其境的质感、光芒和新的歌曲循环
这是对格拉斯哥的澳大利亚作曲家简-斯坦利博士的采访记录。采访者是澳大利亚诗人和作词家朱迪斯-毕晓普博士,她的词出现在所讨论的两部作品中:14 周》(选自《间歇》(UQP,2018 年))和《冷漠》(选自《事件》(Salt Publishing UK,2007 年))。访谈于 2023 年 5 月 29 日在格拉斯哥大学录制,并进行了清晰度、长度和简洁性方面的编辑。简-斯坦利的作品《14 周》在格拉斯哥市政厅举行的格拉斯哥艺术学院合唱团 Composeher 音乐会上进行了世界首演。最近的一项调查显示,在音乐委约的授予方面存在着巨大的性别不平等,为此,Composeher 委约七位女性作曲家创作十分钟左右的合唱作品,《14 周》就是其中之一。访谈内容广泛,从作曲家的文字风格到她的创作过程,并谈到了她即将于 2024 年由 Delphian Records 唱片公司发行的作曲家肖像专辑。
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来源期刊
Tempo
Tempo MUSIC-
CiteScore
0.30
自引率
0.00%
发文量
91
审稿时长
19 weeks
期刊介绍: Tempo is the premier English-language journal devoted to twentieth-century and contemporary concert music. Literate and scholarly articles, often illustrated with music examples, explore many aspects of the work of composers throughout the world. Written in an accessible style, approaches range from the narrative to the strictly analytical. Tempo frequently ventures outside the acknowledged canon to reflect the diversity of the modern music scene. Issues feature interviews with leading composers, a tabulated news section, and lively and wide-ranging reviews of recent recordings, books and first performances around the world. Selected issues also contain specially-commissioned music supplements.
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