Metabibliographic Fiction: Metafiction After the Death of the Book in Steven Hall’s Maxwell’s Demon and Nicola Barker’s I Am Sovereign

IF 0.2 3区文学 N/A LITERATURE

CRITIQUE-STUDIES IN CONTEMPORARY FICTION Pub Date : 2024-09-11 DOI:10.1080/00111619.2024.2386099

David Wylot

引用次数: 0

Abstract

This essay examines the combination of an aesthetic interest in the book with metafiction’s self-reflexive literary strategies in two recent British fictions, Steven Hall’s Maxwell’s Demon (2021) a...

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元书目小说：史蒂文-霍尔的《麦克斯韦尔的恶魔》和尼古拉-巴克的《我是君主》中的书死后的元小说

本文探讨了史蒂文-霍尔（Steven Hall）的《麦克斯韦尔的恶魔》（2021年）和斯蒂芬-霍尔（Steven Hall）的《...................

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

CRITIQUE-STUDIES IN CONTEMPORARY FICTION LITERATURE-

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0.60

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期刊介绍： Since its inception in the 1950s, Critique has consistently identified the most notable novelists of our time. In the pages of Critique appeared the first authoritative discussions of Bellow and Malamud in the ''50s, Barth and Hawkes in the ''60s, Pynchon, Elkin, Vonnegut, and Coover in the ''70s; DeLillo, Atwood, Morrison, and García Márquez in the ''80s; Auster, Amy Tan, David Foster Wallace, and Nurrudin Farah in the ''90s; and Lorrie Moore and Mark Danielewski in the new century. Readers go to Critique for critical essays on new authors with emerging reputations, but the general focus of the journal is fiction after 1950 from any country. Critique is published five times a year.

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