Back Cover Artist's Statement

Callaloo Pub Date : 2024-08-29 DOI:10.1353/cal.2024.a935748
Tiffany Lawson
{"title":"Back Cover Artist's Statement","authors":"Tiffany Lawson","doi":"10.1353/cal.2024.a935748","DOIUrl":null,"url":null,"abstract":"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\n<p> <ul> <li><!-- html_title --> Back Cover Artist's Statement <!-- /html_title --></li> <li> Tiffany Lawson (bio) </li> </ul> <p>My art is created from items and images that are at hand and previous drawings collected over time. The practice of collecting and rearranging material acts is an archival process that recovers the past, secures the present, and expects the future. Anchored in my spirituality, culture, and womanhood, I use songs, lyrics, and scripture as mechanisms to create my work largely on brown paper bags, which gives life to my pieces, in that they are recycled, alive. From that base, I build multi-dimensional, layered mediums while employing the use of bricolage. The fabric used is mostly comprising my mother's <em>Wauhtuka Doll</em> scraps. By using multiple disciplines, I create assemblages that explore form and color, unified by the spirit of Black life.</p> <p>The use of bricolage symbolizes the Black experience and involves and demands the ability to \"use what you got.\" In seemingly insurmountable ways, the spirit of Black life adapts in the most brutal conditions, making beauty, holding sacred, and celebrating Black resilience.</p> <p>My work also embodies the Japanese aesthetic of <em>wabi-sabi</em>. It is a view employing imperfection and impermanence that requires unbound acceptance to create an appreciation for beauty. I explore <em>wabi-sabi</em> with a focus on relationships and community. Imperfection and impermanence are understood in nature, but humans desire perfection and resist change—a posture that lends itself to hatred, injustice, and inequality. I create value-based work: love, joy, peace, comfort, grace, and mercy, with heavy doses of resistance and empowerment. By accepting imperfections, humanity can evolve, relationships can be reconciled, and communities can be rebuilt by reflecting on the past, acknowledging failures, and expecting new outcomes. <strong>[End Page 163]</strong></p> Tiffany Lawson <p><strong>TIFFANY LAWSON</strong> is a professional multidisciplinary artist, born and raised on the Southside of Columbus, Ohio. Literature, art, and music were anchors in her household, formulating ideas and an undeniable affinity for creativity. Exposed early on to local influences such as Aminah B.L. Robinson, Grandpa Smoky Brown, and Richard Duarte Brown through programs her mother managed at the church across the street from their home, Lawson was also mentored by Gilda Edwards. In 2014, she became a resident artist at Millworks Studios, where she began to show her work professionally. A master urban farmer since 2019, she also holds a certificate as an art therapy life coach. In 2021 she was awarded the inaugural residency at the Columbus Cultural Arts Center. She is currently artist in residence at Streetlight Guild in Columbus, Ohio.</p> <p></p> Copyright © 2024 Johns Hopkins University Press ... </p>","PeriodicalId":501435,"journal":{"name":"Callaloo","volume":"13 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Callaloo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/cal.2024.a935748","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

In lieu of an abstract, here is a brief excerpt of the content:

  • Back Cover Artist's Statement
  • Tiffany Lawson (bio)

My art is created from items and images that are at hand and previous drawings collected over time. The practice of collecting and rearranging material acts is an archival process that recovers the past, secures the present, and expects the future. Anchored in my spirituality, culture, and womanhood, I use songs, lyrics, and scripture as mechanisms to create my work largely on brown paper bags, which gives life to my pieces, in that they are recycled, alive. From that base, I build multi-dimensional, layered mediums while employing the use of bricolage. The fabric used is mostly comprising my mother's Wauhtuka Doll scraps. By using multiple disciplines, I create assemblages that explore form and color, unified by the spirit of Black life.

The use of bricolage symbolizes the Black experience and involves and demands the ability to "use what you got." In seemingly insurmountable ways, the spirit of Black life adapts in the most brutal conditions, making beauty, holding sacred, and celebrating Black resilience.

My work also embodies the Japanese aesthetic of wabi-sabi. It is a view employing imperfection and impermanence that requires unbound acceptance to create an appreciation for beauty. I explore wabi-sabi with a focus on relationships and community. Imperfection and impermanence are understood in nature, but humans desire perfection and resist change—a posture that lends itself to hatred, injustice, and inequality. I create value-based work: love, joy, peace, comfort, grace, and mercy, with heavy doses of resistance and empowerment. By accepting imperfections, humanity can evolve, relationships can be reconciled, and communities can be rebuilt by reflecting on the past, acknowledging failures, and expecting new outcomes. [End Page 163]

Tiffany Lawson

TIFFANY LAWSON is a professional multidisciplinary artist, born and raised on the Southside of Columbus, Ohio. Literature, art, and music were anchors in her household, formulating ideas and an undeniable affinity for creativity. Exposed early on to local influences such as Aminah B.L. Robinson, Grandpa Smoky Brown, and Richard Duarte Brown through programs her mother managed at the church across the street from their home, Lawson was also mentored by Gilda Edwards. In 2014, she became a resident artist at Millworks Studios, where she began to show her work professionally. A master urban farmer since 2019, she also holds a certificate as an art therapy life coach. In 2021 she was awarded the inaugural residency at the Columbus Cultural Arts Center. She is currently artist in residence at Streetlight Guild in Columbus, Ohio.

Copyright © 2024 Johns Hopkins University Press ...

封底艺术家声明
以下是内容简介,以代替摘要: 封底 艺术家自述 蒂芙尼-劳森(Tiffany Lawson)(简历) 我的艺术创作取材于手头的物品和图像,以及长期以来收集的以前的绘画作品。收集和重新整理物质行为的实践是一个档案过程,它恢复了过去,保护了现在,并期待着未来。基于我的精神、文化和女性身份,我使用歌曲、歌词和经文作为创作机制,我的作品主要是在牛皮纸袋上创作的,这赋予了我的作品生命,因为它们是循环的、有生命的。在此基础上,我采用了多维、多层次的媒介,同时运用了混搭的手法。使用的布料主要是我母亲的 Wauhtuka 娃娃的碎布。通过运用多种学科,我创作出了探索形式和色彩的拼贴画,并将黑人的生命精神统一起来。拼贴的使用象征着黑人的经历,涉及并要求 "物尽其用 "的能力。黑人的生命精神以看似不可逾越的方式,在最残酷的条件下适应环境,创造美,保持神圣,颂扬黑人的韧性。我的作品还体现了日本的 "侘寂 "美学。这是一种对不完美和无常的看法,需要无拘无束地接受,从而创造出一种对美的欣赏。我在探索 "佗 "的过程中关注人际关系和社区。不完美和无常在自然界中是可以理解的,但人类却渴望完美,抵制改变--这种姿态容易导致仇恨、不公正和不平等。我创作以价值为基础的作品:爱、喜悦、和平、舒适、优雅和仁慈,以及大量的反抗和赋权。通过接受不完美,人性可以进化,关系可以和解,社区可以通过反思过去、承认失败和期待新结果来重建。[蒂芙尼-劳森(Tiffany Lawson) 蒂芙尼-劳森(Tiffany Lawson)是一位专业的多学科艺术家,在俄亥俄州哥伦布市南部出生长大。文学、艺术和音乐是她家庭的支柱,在她的家庭中,文学、艺术和音乐形成了她的思想和对创造力不可否认的亲和力。劳森很早就受到当地艺术家的影响,如阿米娜-B.L. 罗宾逊(Aminah B.L. Robinson)、斯莫克-布朗(Smoky Brown)爷爷和理查德-杜阿尔特-布朗(Richard Duarte Brown)。2014 年,她成为磨坊工作室(Millworks Studios)的常驻艺术家,并开始在那里举办专业展览。自 2019 年起,她成为了一名城市农场主,还持有艺术治疗生活教练证书。2021 年,她被授予哥伦布文化艺术中心首届驻留艺术家称号。目前,她是俄亥俄州哥伦布市街灯协会的驻场艺术家。 版权所有 © 2024 约翰斯-霍普金斯大学出版社 ...
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信