{"title":"Berryblack Blues, and: Loving the Dark, and: Generational Curses, and: The Uprooting, and: Re-membering Kin","authors":"Shanna L. Smith","doi":"10.1353/cal.2024.a935746","DOIUrl":null,"url":null,"abstract":"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\n<p> <ul> <li><!-- html_title --> Berryblack Blues, and: Loving the Dark, and: Generational Curses, and: The Uprooting, and: Re-membering Kin <!-- /html_title --></li> <li> Shanna L. Smith (bio) </li> </ul> <h2>BERRYBLACK BLUES</h2> <p><em>For Crystal</em></p> <p><span>I'm in love with old-people words,</span><span>their memories blowing out at me in riffs</span><span>like slow drags to</span><span>live in-person, up-close kind of blues</span><span>where their faces sweat</span><span>tilted up like remembering God.</span></p> <p><span>I squeeze into spaces</span><span>too long</span><span>to listen,</span><span>catch a word</span><span>of rememory</span><span>from them—</span><span>a recipe for hard-won living.</span></p> <p><span>That slow drag of a cigarette</span><span>and diphthong vowel</span><span>rounding their lips</span><span>anticipates my hearing</span><span>as they improvise memory</span><span>while patiently stroking</span><span>squat green glasses of whiskey.</span></p> <p><span>I've learned to wait</span><span>for muttered-beneath-the-breath tales</span><span>of Black boyhoods loaded into pickup trucks</span><span>to strip tobacco;</span><span>or only-once-told rumors of</span><span>Black girls bartered away for a pint of liquor;</span><span>about Big Mama wringing chicken heads</span><span>to feed her berryblack, amber, and butterscotch children.</span><span>I listen to visualize the Affrilachian hills, knobs, and junkets</span><span>peopled with brown skin, poor folk <strong>[End Page 152]</strong></span> <span>rich with hands that strung cane-back chairs,</span><span>carved wooden vanity tables, pressed</span><span>biscuit dough between fingers,</span><span>threaded needles through brocade,</span><span>upholstered couch covers,</span><span>and laid brick for homes that none of us now own.</span></p> <p><span>The stories fill my mouth sourly</span><span>and becomes my mourning blues,</span><span>then a healing balm refrain</span><span>as I slap hard the table</span><span>where I sit among the cloud of witnesses</span><span>that crowd my memory—</span><span>as they knew it would—</span><span>and we laugh together, overtaken,</span><span>improvising light into life's shadows. <strong>[End Page 153]</strong></span></p> <h2>LOVING THE DARK</h2> <p><em>For bell</em></p> <p><span>I am loving darkness,</span><span>risk my life</span><span>and dare</span><span>dance dusky hips</span><span>in the blueblack</span><span>darkness of us.</span></p> <p><span>Blackfolk emboldened</span><span>by deep burgundy bruises</span><span>in our DNA that,</span><span>when pressed down, explode</span><span>a shout of joy</span><span>a keening wail</span><span>a roar buckled</span><span>from the mournful, searing ache</span><span>of holding up the whole world</span><span>in the spine of our work-worn backs.</span></p> <p><span>I hurt for us,</span><span>travailing in indigo ink</span><span>published to cast light</span><span>to toxic shadows</span><span>we'd much rather leave eclipsed—</span><span>exposing the beauty of when we,</span><span>so beautifully black,</span><span>be so blue. <strong>[End Page 154]</strong></span></p> <h2>GENERATIONAL CURSES</h2> <p><em>For Gayl</em></p> <p><span>We are tired</span><span>of waiting</span><span>to birth generations</span><span>carrying us</span><span>in bellies</span><span>pushed</span><span>with new life;</span></p> <p><span>weary of pushing</span><span>and coming up shit</span><span>as our offspring</span><span>make homes of it.</span></p> <p><span>We are exhausted</span><span>of loving</span><span>hard</span><span>and getting</span><span>fucked.</span></p> <p><span>We want babies</span><span>passing our stories.</span><span>We want children</span><span>spinning songs.</span><span>We want youth</span><span>cocky with spirit—</span></p> <p><span>we want generations</span><span>passing us on. <strong>[End Page 155]</strong></span></p> <h2>THE UPROOTING</h2> <p><span>Spirit-shook, I move again</span><span>onto an unintended path.</span><span>My belly groans in fear</span><span>of these miles, a re-crossing into Mississippi</span><span>as Cassandra<sup>1</sup> croons a lulling verse—</span></p> <p><span><em>\"Traveling miles … crossing time … shifting (stars)</em></span><span><em>traveling miles and miles\"</em></span></p> <p><span>Taking the journey though none go with me—</span><span>not my family living other lives,</span><span>not the books settling and housed in boxes,</span><span>not the friends virtually visited,</span><span>not the art, nor memoried heirlooms</span><span>—the things that made me, me.</span><span>No, not a one.</span></p> <p><span>This path, resisted, is the expected one</span><span>trudging deep into our family's rememory</span><span>of Great-Granddaddy Carson's rumored rebellion:</span><span>newly Knoxville College educated, and</span><span>studiously unmoved from whitened sidewalks.</span><span>Black rage in pale Southern skins</span><span>propelled him hastily onto a late train</span><span>with Grandmother Emma,</span><span>out of the Delta</span><span>into the Bluegrass.</span><span>Together they ushered a new beginning</span><span>to the only homeplace three generations knew—</span><span>a bourbon-trailed Louisville, Kentucky.</span><span>Now I stumble back into place,</span><span>Greenville.</span><span>Who had they left behind? <strong>[End Page 156]</strong></span> <span>The paths merge, theirs and mine,</span><span>calling me back. Here.</span><span>And I will bear it for them,</span><span>the uprooted,</span><span>the story bearer, chosen in the third generation</span><span>to repair the rupture</span><span>of dislocated family</span><span>and this narrative of who and how and where we now are. <strong>[End Page 157]</strong></span></p> <h2>RE-MEMBERING KIN</h2> <p><em>For Gilette</em></p> <p><span>I remember for her, now gone,</span><span>and the more than thrice-told tales</span><span>of family lore she planted</span><span>like veined verdant greens</span><span>slow simmering in her pot</span><span>to serve gathered kin.</span><span>The planting, the rich growing tale of...</span></p> </p>","PeriodicalId":501435,"journal":{"name":"Callaloo","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Callaloo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/cal.2024.a935746","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract
In lieu of an abstract, here is a brief excerpt of the content:
Berryblack Blues, and: Loving the Dark, and: Generational Curses, and: The Uprooting, and: Re-membering Kin
Shanna L. Smith (bio)
BERRYBLACK BLUES
For Crystal
I'm in love with old-people words,their memories blowing out at me in riffslike slow drags tolive in-person, up-close kind of blueswhere their faces sweattilted up like remembering God.
I squeeze into spacestoo longto listen,catch a wordof rememoryfrom them—a recipe for hard-won living.
That slow drag of a cigaretteand diphthong vowelrounding their lipsanticipates my hearingas they improvise memorywhile patiently strokingsquat green glasses of whiskey.
I've learned to waitfor muttered-beneath-the-breath talesof Black boyhoods loaded into pickup trucksto strip tobacco;or only-once-told rumors ofBlack girls bartered away for a pint of liquor;about Big Mama wringing chicken headsto feed her berryblack, amber, and butterscotch children.I listen to visualize the Affrilachian hills, knobs, and junketspeopled with brown skin, poor folk [End Page 152]rich with hands that strung cane-back chairs,carved wooden vanity tables, pressedbiscuit dough between fingers,threaded needles through brocade,upholstered couch covers,and laid brick for homes that none of us now own.
The stories fill my mouth sourlyand becomes my mourning blues,then a healing balm refrainas I slap hard the tablewhere I sit among the cloud of witnessesthat crowd my memory—as they knew it would—and we laugh together, overtaken,improvising light into life's shadows. [End Page 153]
LOVING THE DARK
For bell
I am loving darkness,risk my lifeand daredance dusky hipsin the blueblackdarkness of us.
Blackfolk emboldenedby deep burgundy bruisesin our DNA that,when pressed down, explodea shout of joya keening waila roar buckledfrom the mournful, searing acheof holding up the whole worldin the spine of our work-worn backs.
I hurt for us,travailing in indigo inkpublished to cast lightto toxic shadowswe'd much rather leave eclipsed—exposing the beauty of when we,so beautifully black,be so blue. [End Page 154]
GENERATIONAL CURSES
For Gayl
We are tiredof waitingto birth generationscarrying usin belliespushedwith new life;
weary of pushingand coming up shitas our offspringmake homes of it.
We are exhaustedof lovinghardand gettingfucked.
We want babiespassing our stories.We want childrenspinning songs.We want youthcocky with spirit—
we want generationspassing us on. [End Page 155]
THE UPROOTING
Spirit-shook, I move againonto an unintended path.My belly groans in fearof these miles, a re-crossing into Mississippias Cassandra1 croons a lulling verse—
"Traveling miles … crossing time … shifting (stars)traveling miles and miles"
Taking the journey though none go with me—not my family living other lives,not the books settling and housed in boxes,not the friends virtually visited,not the art, nor memoried heirlooms—the things that made me, me.No, not a one.
This path, resisted, is the expected onetrudging deep into our family's rememoryof Great-Granddaddy Carson's rumored rebellion:newly Knoxville College educated, andstudiously unmoved from whitened sidewalks.Black rage in pale Southern skinspropelled him hastily onto a late trainwith Grandmother Emma,out of the Deltainto the Bluegrass.Together they ushered a new beginningto the only homeplace three generations knew—a bourbon-trailed Louisville, Kentucky.Now I stumble back into place,Greenville.Who had they left behind? [End Page 156]The paths merge, theirs and mine,calling me back. Here.And I will bear it for them,the uprooted,the story bearer, chosen in the third generationto repair the ruptureof dislocated familyand this narrative of who and how and where we now are. [End Page 157]
RE-MEMBERING KIN
For Gilette
I remember for her, now gone,and the more than thrice-told talesof family lore she plantedlike veined verdant greensslow simmering in her potto serve gathered kin.The planting, the rich growing tale of...