Mrs. Flowers
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4区 文学
0 LITERARY REVIEWS
Mary Jo Salter
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Abstract
In lieu of an abstract, here is a brief excerpt of the content:
Mrs. Flowers Mary Jo Salter Five minutes before the concert begins. I'm sitting next to some old guy— even older than I— and ask him some idle questions.
Does he live nearby? Oh, did he walk then? I walk that street, I know his view— right on a little public garden.
Nothing fancy, and yet delightful. I picture the spring newlyweds posing for photographers before beds of tulip and daffodil
or under the bridal canopies of cherry trees; billowing picnic blankets kept from flying away
by babies, set down like paperweights … but I don't go into that; he knows it. It's wonderful the city supports it is all I say. [End Page 479]
Oh, he says, the funds are private. Or they are now. Didn't used to be. Really? It turns out he was chair of the garden committee
for years and years and he had it on authority nobody else who worked on the city budget had been aware
a little fund for the garden was in it. Don't rock the boat, don't ask for more, or that pittance will be taken away:
that's what his source had said. And then that city bureaucrat quit. He happened to be replaced—get this— by someone named Mrs. Flowers.
Mrs. Flowers! The old man laughs at the thought of her, the dragon. She cut the garden fund at once— Cut Flowers, they called her—and ever since
the locals, or those who can, donate money or time. A happy ending— or not quite that; a funny one about killjoys, who always sort of win. [End Page 480]
The string quartet is tuning up; it sounds like whining, the sort of thing people tend to do on committees
before one person has the sense to call for silence. The old man and I defer to it with a seasoned nod
as people in the neighborhood had to Mrs. Flowers. And went on waiting for the music and planting flowers. [End Page 481]
Copyright © 2024 The University of the South ...
花夫人
以下是内容的简要摘录,以代替摘要: 花夫人 玛丽-乔-萨尔特 音乐会开始前五分钟,我坐在一个比我还老的老头旁边,问他一些闲聊的问题。他住在附近吗?哦,那他是走路来的?我走过那条街,我知道他家的风景--就在一个公共小花园里。我想象着春天新婚夫妇在郁金香和水仙花花床前或樱桃树的新娘树冠下为摄影师摆姿势的情景;飘扬的野餐毯子被婴儿像镇纸一样摆放着,以免飞走......但我不说这些,他知道的。[他说,资金是私人的,或者说现在是私人的。真的吗?他的线人是这么说的,后来那个市政官员辞职了,接替他的是一个叫弗劳尔斯夫人的人。弗劳尔斯太太她立刻砍掉了花园的基金--人们都叫她 "砍花"--从那以后,当地人或有能力的人都会捐钱或捐时间。这是一个大团圆的结局--也不尽然;这是一个关于大惊小怪的人的有趣结局,他们总是有点赢。[弦乐四重奏正在调音,听起来像是在发牢骚,人们在委员会上往往会这样做,然后才会有一个人理智地要求安静下来。我和老人都老练地点点头表示同意,就像邻居们对花夫人一样。[第 481 页完] Copyright © 2024 The University of the South ...
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Having never missed an issue in 115 years, the Sewanee Review is the oldest continuously published literary quarterly in the country. Begun in 1892 at the University of the South, it has stood as guardian and steward for the enduring voices of American, British, and Irish literature. Published quarterly, the Review is unique in the field of letters for its rich tradition of literary excellence in general nonfiction, poetry, and fiction, and for its dedication to unvarnished no-nonsense literary criticism. Each volume is a mix of short reviews, omnibus reviews, memoirs, essays in reminiscence and criticism, poetry, and fiction.