Decoding AI in Contemporary Art: A Five-Trope Classification for Understanding and Categorization

IF 0.4 4区 艺术学 0 ART
LEONARDO Pub Date : 2024-08-01 DOI:10.1162/leon_a_02546
Guido Salimbeni, Steve Benford, Stuart Reeves, Sarah Martindale
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引用次数: 0

Abstract

The article presents a historical overview of the classification of contemporary artworks that either have utilized artificial intelligence as a tool in their creation or focus on AI as their central theme or subject matter. The authors analyze artworks and descriptions, focusing on artists’ motivations and AI’s role in their practice, identifying five distinct tropes in AI art. The authors compare artworks with respect to key questions, creating a useful tool for art historians, curators, researchers, and artists. This historical classification provides a structured approach to understanding AI art’s creative significance and attributes as it has developed over time.

解码当代艺术中的人工智能:用于理解和分类的五级分类法
文章对当代艺术作品的分类进行了历史性概述,这些作品或在创作中利用人工智能作为工具,或以人工智能为中心主题或题材。作者分析了艺术作品和描述,重点关注艺术家的创作动机和人工智能在其创作实践中的作用,并确定了人工智能艺术中五种不同的套路。作者将艺术作品与关键问题进行比较,为艺术史学家、策展人、研究人员和艺术家提供了一个有用的工具。这种历史性的分类提供了一种结构化的方法来理解人工智能艺术随着时间的推移而发展的创造性意义和属性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
LEONARDO
LEONARDO ART-
CiteScore
0.90
自引率
0.00%
发文量
139
期刊介绍: Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina. Malina saw the need for a journal that would serve as an international channel of communication between artists, with emphasis on the writings of artists who use science and developing technologies in their work. Today, Leonardo is the leading journal for readers interested in the application of contemporary science and technology to the arts.
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