Disentangling audiences' reactions to creative content and creative packaging

IF 6.5 1区 管理学 Q1 BUSINESS
Davide C. Orazi, Pier Vittorio Mannucci
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Abstract

Research SummaryThis research addresses the tension of audiences often rejecting creative products despite creativity being foundational to organizational success. To better understand this issue, we take an abductive approach to disentangle the effects of creative content (how creative the core concept is) and creative packaging (how creatively the core concept is presented and visualized) while accounting for audiences' different expertise levels. Across two archival studies and a pre‐registered experiment, we find that both experts and general audiences react positively to creative content. However, reactions to creative packaging display greater variability: on average, experts react positively whereas general audiences react negatively. We find no interaction between the two variables. We discuss the theoretical implications of these findings for the literature.Managerial SummaryWhile creativity is foundational to organizational success, audiences often reject creative products. Across two archival studies and an experiment, we show how the effect of creativity on different audience's reception can be better understood when disentangling creative content (how creative the core concept is) from creative packaging (how creatively the core concept is presented and visualized). Our results suggest that companies should (a) invest more resources in developing products high in creative content—products that break current norms and are different from others—and (b) acknowledge that heavy investments into novel and visually groundbreaking packaging lend diminishing returns, particularly for general audiences: for the same level of quality a traditional (vs. creative) packaging yields more advantages.
区分受众对创意内容和创意包装的反应
研究摘要本研究探讨了受众经常拒绝创意产品的矛盾,尽管创意是组织成功的基础。为了更好地理解这个问题,我们采用了归纳法来区分创意内容(核心概念的创意程度)和创意包装(核心概念的创意呈现和可视化程度)的影响,同时考虑到受众不同的专业知识水平。通过两项档案研究和一项预先登记的实验,我们发现专家和普通受众都对创意内容做出了积极反应。然而,对创意包装的反应则表现出更大的差异性:平均而言,专家的反应是积极的,而普通受众的反应则是消极的。我们发现这两个变量之间没有相互作用。我们讨论了这些发现对相关文献的理论意义。管理总结虽然创意是组织成功的基础,但受众往往拒绝创意产品。通过两项档案研究和一项实验,我们展示了在将创意内容(核心概念的创意程度)与创意包装(核心概念的创意呈现和可视化程度)分开时,如何更好地理解创意对不同受众接受程度的影响。我们的研究结果表明,企业应该:(a)投入更多资源开发创意含量高的产品--打破现有规范、与众不同的产品;(b)认识到对新颖和视觉突破性包装的大量投资会带来收益递减,尤其是对普通受众而言:在同等质量水平下,传统(与创意)包装会产生更多优势。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
13.70
自引率
8.40%
发文量
109
期刊介绍: At the Strategic Management Journal, we are committed to publishing top-tier research that addresses key questions in the field of strategic management and captivates scholars in this area. Our publication welcomes manuscripts covering a wide range of topics, perspectives, and research methodologies. As a result, our editorial decisions truly embrace the diversity inherent in the field.
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